Each of the five members of wind ‘supergroup’ Les Vent Français, partnered by pianist Eric le Sage, plays a sonata written by Paul Hindemith in the dramatic years between 1936 and 1943 – compact, lucid and engaging works for flute, oboe, clarinet, bassoon and alto horn. “These Hindemith sonatas are a great asset to the wind repertory,” says oboist François Leleux. “Hindemith took a very particular approach to each instrument, with a wonderful sense for its individual sound.”
Assembled to mark the centenary of Henri Dutilleux (1916-2013), this collection of recordings, produced over a period of nearly 60 years, is unrivalled in its scope. Equally remarkable is its array of performers; among them are such dedicatees of the composer’s works as Mstislav Rostropovich, Renée Fleming, Seiji Ozawa and Paul Sacher. Quintessentially French, Dutilleux captured the imagination of audiences around the world with his iridescent, yet formally coherent scores, which engender narratives filled with memories and mystery.
Nino Rota was not only the man who wrote film scores for Fellini (La strada etc), René Clément and King Vidor. He was also a twentieth-century great composer. A child prodigy, he studied in America with Fritz Reiner, crossed paths with Toscanini, Igor Stravinsky and many others. Éric Le Sage, Emmanuel Pahud, Paul Meyer, Daishin Kashimoto, Aurélien Pascal and their partners from the Salon de Provence festival pay tribute to his music with the Piccola Offerta Musicale (Little Musical Offering), composed in 1943 at the age of twenty-two, alongside a Nonet and a Trio for flute, violin and piano, both written in the late 1950s. The Trio for clarinet, cello and piano (1973) comes from Rota’s last creative period and has all the characteristics of his mature works.
Les Vents Français have been described as “the wind-quintet equivalent of a supergroup”. The ensemble’s five members – Emmanuel Pahud, Paul Meyer, Francois Leleux, Gilbert Audin and Radovan Vlatković, all world-renowned soloists in their own right – are joined by pianist Eric Le Sage for a fascinating 3-CD programme of chamber music that spans three centuries and the French, Austro-German and Russian repertoires.
Celibidache was without question one of the most important and original conductors in recent memory. He was a perfectionist who disliked what he perceived to be the synthetic sounds created in the modern recording studio, preferring the immediacy of the concert platform and the interaction with a live audience.
Henri Dutilleux, born in 1916, is a 96 years old young man who has made his own way in the jungle of the musical world of the second half of the 20th Century, ignoring the trends, continuing in his own perspective the path of French modern music opened by Debussy and Ravel. This 5-CD collection is a wonderful panorama, ideal to discover and love this music, featuring for the first time on CD a wonderful performance of the 1st Symphony by the Orchestre National de Lille and Jean-Claude Casadesus as well as the original recording of Le Loup, one of the most important ballets written after 1945, both recorded in the presence of the composer.