On IN THE BEGINNING, the second release on Pilgrimage Recording, his imprint label which he founded in 2012, Dr. Lonnie Smith revisits, recontextualizes, and reimagines a dozen songs culled from his first decade as a recording artist. The end product is a document as distinctive and accomplished as any within Smith’s iconic canon.
Begin Again, Hersch's new Palmetto release featuring the Cologne-based WDR Big Band, arranged and conducted by six-time Grammy winner Vince Mendoza, serves as both an expertly curated overview of the pianist's oeuvre and a singular new entry in his expansive discography. The album features nine of Hersch's original compositions, plucked from throughout his various projects and preferred formats, including one previously unrecorded piece.
Ray Vega's fourth album not only confirms his status as one of the leading Afro-Cuban trumpeters of his generation, but also shows an admirable willingness not to be stuck in one subgenre of jazz forever. Squeeze, Squeeze focuses mostly on band originals, composed not only by Vega but also by bassist Gregg August, whose "Crescent Mood" has an enjoyably retro feel that recalls the smooth, fusiony jazz of the CTI Records crowd, and alto saxophonist Bobby Porcelli, whose post-bop ballad "Both" is one of the album's highlights. The album has a few standard Afro-Cuban jazz pieces, most notably the closing "La Tercera," the rollicking title track, and a bracing take on Wayne Shorter's "Black Nile"…