Papa Never Let Me Sing The Blues

Rural blues private press with excellent guitar parts throughout. Actually in the second side things get a bit psychedelic too , especially at the superb psychedelic instrumental "Black River Lady". Another highlight is the great ''Old Man Gibbs" with a certain Neil Young + Crazy Horse vibe. The music is diverse with a hint of Neil Young , JJ Cale or even Grateful Dead in their sound. An obscure but solid record overall.

Aptly titled, 'The Great Vocalists Of Jazz & Entertainment', culls 748 of the absolute finest recordings by top singers of the pre-rock era of the '30s, '40s & '50s. All recordings are digitally remastered and over 20 top names are featured, including Billie Holiday, Frank Sinatra, Judy Garland, Bing Crosby, Ella Fitzgerald, Nat King Cole, Louis Armstrong, Sarah Vaughan, Lena Horne and Perry Como. Each artist has at least one disc devoted to solely to their repertoire; most have two (Billie & Frank deservedly have three apiece). Hou sed in a sealed, full color 5' x 6' x 8' box, it contains 20 double slimline jewelcases.

Glenn Miller - The Complete Glenn Miller & His Orchestra 1938-1942 (1991) {RCA Bluebird Digital Download rel 2014}
FLAC (tracks) - 16bit/44.1kHz - Digital Download (deezer.com) -> 4.38 Gb | MP3 @320 -> 2.01 Gb | Cover | 5% repair rar
© 1991, 2014 RCA Bluebird
Jazz / Big Band / Sweet Bands / Swing

This 13-CD set completely reissues the contents of the nine double-LP series of the same name, all 277 studio recordings (including 20 alternate takes placed on the 13th disc) that were made by Glenn Miller's extremely popular orchestra. In addition to all of the hits and the occasional jazz performances, the misses (and the many Ray Eberle vocals) are also on this set, so general collectors just wanting a taste of Miller's music would be better off getting a less expensive greatest-hits set. However, true Glenn Miller fans should consider this remarkable reissue to be essential; it's all here.

More than 300 tracks, digitally remastered and compiled over 15 discs. Includes all of Louis Armstrong's hits, hundreds of rarities and the complete discography. 2005.

Doug Sahm once sang, "You just can't live in Texas if you don't have a lot of soul," and, as a proud son of the Lone Star state, he seemed bent on proving that every time he stepped in front of a microphone. Whether he was playing roots rock, garage punk, blues, country, norteño, or (as was often the case) something that mixed up several of the above-mentioned ingredients, Doug Sahm always sounded like Doug Sahm – a little wild, a little loose, but always good company, and a guy with a whole lot of soul who knew a lot of musicians upon whom the same praise could be bestowed. Pulling together a single disc compilation that would make sense of the length and breadth of the artist's recording career (which spanned five decades) would be just about impossible (the licensing hassles involved with the many labels involved would probably scotch such a project anyway), but this disc, which boasts 22 songs recorded over the course of eight years, is a pretty good starter for anyone wanting to get to know Sahm's music.

Born in New Orleans, trumpeter and vocalist Louis Armstrong (1901-1971) was the first big Jazz-star. He became interested in music early on and began playing the popular music of his hometown on cornet. Legendary trumpeter King Oliver gave Armstrong, who had gotten his first musical education at the Colored Waifs Home for Boys, some lessons. Brass bands were playing on the Mississippi steamers at the time and Armstrong soon landed a gig with the orchestra of Fate Marable, where he significantly expanded his technical skills and later was able to master even the most difficult scores. After replacing King Oliver in Kid Ory's band, he soon followed his teacher to Chicago, the Jazz center of the 1920s. Armstrong was one of the first musicians to emerge as a soloist from the collective improvisations of early Jazz with his own style and stretched out soloing.