Paradoxes of Nature And Science

This volume addresses the question of time from the perspective of the time of nature. Its aim is to provide some insights about the nature of time on the basis of the different uses of the concept of time in natural sciences. Presenting a dialogue between philosophy and science, it features a collection of papers that investigate the representation, modeling and understanding of time as they appear in physics, biology, geology and paleontology.

This volume addresses the question of time from the perspective of the time of nature. Its aim is to provide some insights about the nature of time on the basis of the different uses of the concept of time in natural sciences. Presenting a dialogue between philosophy and science, it features a collection of papers that investigate the representation, modeling and understanding of time as they appear in physics, biology, geology and paleontology.

This book examines the intricate web linking water science and society using diverse philosophical lenses. Highlighting the tensions within the threads of this web, we spotlight major conceptual tightropes that water researchers tread daily. To effectively navigate these delicate threads, a 'healthy' tension in the encompassing web is necessary. Drawing inspiration from Freud's examination of tensions in "Society and Its Discontents," we illuminate the tension-filled paradoxes inherent to water science, emphasizing the challenges in keeping these paradoxical threads taut enough to ensure a navigable and sustainable bond with society.

Ryan Wasserman presents a wide-ranging exploration of puzzles raised by the possibility of time travel, including the grandfather paradox, the bootstrapping paradox, and the twin paradox of special relativity. He draws out their implications for our understanding of time, tense, freedom, fatalism, causation, counterfactuals, laws of nature, persistence, change, and mereology. The Paradoxes of Time Travel is written in an accessible style, and filled with entertaining examples from physics, science fiction, and popular culture.

Noel Carroll, film scholar and philosopher, offers the first serious look at the aesthetics of horror. In this book he discusses the nature and narrative structures of the genre, dealing with horror as a "transmedia" phenomenon. A fan and serious student of the horror genre, Carroll brings to bear his comprehensive knowledge of obscure and forgotten works, as well as of the horror masterpieces.