Pastorale 1943

RCO - Anthology of the Royal Concertgebouw Orchestra, Vol 1, 1935-1950 (2002) {13CD Box Set Q Disc 97017, Limited Edition}
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© 1935-50, 2002 Radio Netherlands Music / Q Disc | 97017
Classical / Orchestral / Symphony / Romantic / Early 20th Century

Böhm was reported to have told the Wiener Philharmoniker towards the end of his life "I loved you as one can only love a woman". Listening to this boxset, capturing the Concertgebouworkest at the peak of its powers (between 1935 and June 1941), still at a commendable level (between July 1941 and 1944) before having to rebuild from the ashes of war (1945 to 1947) to finally come back to the highest level (1949-1950), the careful auditor has history in the making unfolding with its drama, its joys, but essentially its incommensurable beauty.

Berliner Philharmoniker Recordings has released, on 22 hybrid SACDs, its Wilhelm Furtwängler edition, the first complete collection of all the surviving radio broadcast recordings of the Berliner Philharmoniker conducted by Furtwängler during the period 1939 to 1945. From a total of 21 concerts, most complete and some in part, these recordings were originally produced by the Reichs-Rundfunk-Gesellschaft (RRG) and are the first high resolution digital transfers from original monaural analogue sources.

The radio recordings between 1939 and 1945 with the Berliner Philharmoniker and Wilhelm Furtwängler are among classical music’s most compelling sound documents. Created at the peak of the collaboration between orchestra and conductor, Furtwängler’s artist personality is conveyed more vividly than anywhere else. What can be heard is music in which inspiration and the expressive will know no bounds and in which, not least, the existential experience of the Second World War reverberates. For the first time, the Berliner Philharmoniker are releasing a complete edition of these recordings on 22 CD/SACD.

Born in London of Italian-French parents, Sir John Barbirolli (1899–1970) trained as a cellist and played in theatre and café orchestras before joining the Queen’s Hall Orchestra under Sir Henry Wood in 1916. His conducting career began with the formation of his own orchestra in 1924, and between 1926 and 1933 he was active as an opera conductor at Covent Garden and elsewhere. Orchestral appointments followed: the Scottish Orchestra (1933–36), the New York Philharmonic (1936–42), the Hallé Orchestra (1943–70) and the Houston Symphony (1961–67). Barbirolli guest conducted many of the world’s leading orchestras and was especially admired as an interpreter of the music of Mahler, Sibelius, Elgar, Vaughan Williams, Delius, Puccini and Verdi. He made many outstanding recordings, including the complete Brahms and Sibelius symphonies, as well as operas by Verdi and Puccini and much English repertoire.

Jean-Pierre Rampal was one of history's greatest flute players, and among the most recorded classical artists of all time. His father was the first flutist of the Marseilles Symphony Orchestra and was professor of flute at the Conservatory there. Although his father taught him to play the flute, he did not recommend a musical career for Jean-Pierre, who instead entered medical studies. He was in the third year of medical study when, in 1943, German occupying forces drafted Rampal for service in the military. He learned that he was, in fact, to be sent to Germany as forced labor.