Guitarist, composer, and bandleader Pat Metheny is one of the most successful jazz musicians in the world. He is the only artist to win 20 Grammy Awards in 10 different categories. A consummate stylist and risk-taker, his musical signature melds a singular, euphoric sense of harmony with Afro-Latin and Brazilian sounds, rock, funk, global folk musics, and jazz. His 1976 debut, Bright Size Life, and the self-titled Pat Metheny Group two years later resonated with audiences and critics for its euphoric lyricism, dynamics, and rhythmic ideas.
This set, recorded at New York City's Bottom Line in September of 1978, is a wonderful example of the Pat Metheny Group onstage at this early stage, shortly after the release of their debut album. Not surprisingly, the set includes material from that album, but also explores older and side project material in the context of this quartet, as well and a couple of key compositions destined for the group's follow-up, American Garage. As such, this set serves up a fine example of what drew attention to this group in the first place and will be illuminating to anyone interested in this relatively early stage of Pat Metheny's career as a performing musician.
I grew up in Newark, New Jersey where such great artists as James Moody, Sarah Vaughan, Walter Davis Jr., Hank Mobley were my neighbors and Wayne Shorter was my dear friend. Wayne and I went to grammar school and Arts High School together. I was very influenced by Wayne in every way and knew at young age that he was a genius. But I could not tolerate the cold winters, so I decided to move to Los Angeles. It was 1960. In 1961, I received a call from Jules Chaikin, a young contractor that I worked for, who knew my playing and asked if I wanted to go on the road with Stan Kenton. I was overwhelmed since this was one of the bands I dreamed of playing with. Nine months later we ended the tour at Capitol Records. I recorded three albums with the band, including “Adventures in Jazz” which won a Grammy for Stan and “Adventures in Blues” which Stan said was my album since it featured the bass walking predominantly through the whole album.
The first recording by the Pat Metheny Group features the innovative guitarist along with keyboardist Lyle Mays, bassist Mark Egan, and drummer Dan Gottlieb. The music is quite distinctive, floating rather than swinging, electric but not rockish, and full of folkish melodies. The best known of these six Metheny-Mays originals are "Phase Dance" and "Jaco." This music grows in interest with each listen.
Pedro Aznar is a best-selling Argentine singer/songwriter and multi-instrumentalist. He is a musical polymath equally versed in rock, jazz, and folk, and is also a published poet. A seminal part of the Argentinian rock scene during the 1970s and '80s, he gradually succeeded in transforming his sound to embrace different genres and became a successful jazz singer, saxophonist, and second guitarist in the Pat Metheny Group for three albums. In addition, Aznar is also an esteemed soundtrack composer, a first choice for many directors across Latin America…
Bassist Mark Egan and drummer Danny Gottlieb have been longtime friends, starting with their days at the University of Miami in the early '70s and continuing during their period with Pat Metheny (Egan was in the guitarist's group from 1978-1980, while Gottlieb stayed until 1983). They formed Elements in 1982, which, from its start, also included Bill Evans on soprano and tenor and keyboardist Clifford Carter.