Patrick Leonard

Like a Prayer is the fourth studio album by American singer and songwriter Madonna, released on March 21, 1989 by Sire Records. Madonna worked with Stephen Bray, Patrick Leonard, and Prince on the album while co-writing and co-producing all the songs. Her most introspective release at the time, Like a Prayer has been described as a confessional record. Madonna described the album as a collection of songs "about my mother, my father, and bonds with my family." The album was dedicated to Madonna's mother, who died when she was young.

I'm Breathless: Music from and Inspired by the Film Dick Tracy is the second soundtrack album by American singer and songwriter Madonna. It was released on May 22, 1990, by Sire Records to promote and accompany the film Dick Tracy. In the film Madonna starred as Breathless Mahoney and her then-boyfriend Warren Beatty played the title role. After filming was complete, Madonna began work on the film's soundtrack, with songwriter Stephen Sondheim, producer Patrick Leonard and engineer Bill Bottrell. She also worked with producer Shep Pettibone on the album's first single, "Vogue". The album was recorded in three weeks, at Johnny Yuma Recording and Ocean Way Studios, in California.

Hooking up with regular Madonna collaborator Patrick Leonard as the co-producer of this album proved to be just the trick for Ferry. Bete Noire sparkles as the highlight of Ferry's post-Roxy solo career, adding enough energy to make it more than Boys and Girls part two. Here, his trademark well-polished heartache strikes a fine balance between mysterious moodiness and dancefloor energy, and Leonard adds more than a few tricks that keep the pep up. Five out of the nine songs are Ferry/Leonard collaborations; all succeed, from "Limbo"'s opening punch and flow to the cinematic (and unsurprisingly French-tinged) feeling of the title track.

Hooking up with regular Madonna collaborator Patrick Leonard as the co-producer of this album proved to be just the trick for Ferry. Bete Noire sparkles as the highlight of Ferry's post-Roxy solo career, adding enough energy to make it more than Boys and Girls part two. Here, his trademark well-polished heartache strikes a fine balance between mysterious moodiness and dancefloor energy, and Leonard adds more than a few tricks that keep the pep up. Five out of the nine songs are Ferry/Leonard collaborations; all succeed, from "Limbo"'s opening punch and flow to the cinematic (and unsurprisingly French-tinged) feeling of the title track. The atmospheric, almost chilling "Zamba"'s minimal, buried drums, soft synths and doomy piano, make it the best of that bunch. Ferry's best moment here is all his own, though – the great single "Kiss and Tell," with a steady, bold bassline leading the way for his slightly dissolute portrayal of mating rituals and all they entail. Like Boys and Girls, the album's supporting cast mixes a lengthy list of session pros with a few guest stars.