When Paul McCartney returned to the studio a year after his wife Linda's death, he wanted to cut loose and have a good time. He gathered a bunch of friends, most notably guitarist David Gilmour, with the intention of cutting a collection of rock & roll oldies with minimal rehearsal and a handful of takes. On the surface, that makes Run Devil Run like Choba B CCCP, but there are subtle differences that make Devil a far superior effort…
Band on the Run is generally considered to be Paul McCartney's strongest solo effort. The album was also his most commercially successful, selling well and spawning two hit singles, the multi-part pop suite of the title track and the roaring rocker "Jet." On these cuts and elsewhere, McCartney's penchant for sophisticated, nuanced arrangements and irrepressibly catchy melodic hooks is up to the caliber he displayed in the Beatles, far surpassing the first two Wings releases, Wild Life and Red Rose Speedway. The focus found in Band on the Run may have to do with the circumstances of its creation: two former members quit the band prior to recording, leaving McCartney, wife Linda, and guitarist Denny Laine to complete the album alone (with Paul writing, producing, and playing most of the instruments himself). The album has the majestic, orchestral sweep of McCartney's Abbey Road-era ambition…
All right, he's made a record with his wife and a record with his pickup band where democracy is allegedly the conceit even if it never sounds that way, so he returns to a solo effort, making the most disjointed album he ever cut. There's a certain fascination to its fragmented nature, not just because it's decidedly on the softer side of things, but because his desire for homegrown eccentricity has been fused with his inclination for bombastic art rock à la Abbey Roa…
CHOBA B CCCP (Russian: «Снова в СССР», Snova v SSSR, literally Back in the USSR Again; also known as The Russian Album) is the seventh solo studio album by Paul McCartney under his own name, originally released in 1988 exclusively in the Soviet Union…
"Fine Line" is a song from Paul McCartney's 2005 album, Chaos and Creation in the Backyard. McCartney plays all the instruments on the song including drums, bass, and piano…
The wait is over: With the 14th June release of One Hand Clapping, one of the most bootlegged live albums in musical history will finally receive a proper release. In August 1974, when Band on the Run was enjoying a seven-week consecutive #1 stint at the top of the UK album charts, Paul McCartney and Wings headed to Abbey Road Studios for the filming of a video documentary and possible live studio album – One Hand Clapping. Despite overwhelming demand for newly recorded material from the biggest band in the world at that time, One Hand Clapping was never officially released.
Give My Regards to Broad Street is the fifth solo studio album by Paul McCartney, as well as the soundtrack album to his 1984 film of the same name. The album reached number 1 on the UK chart. The lead single, "No More Lonely Nights", was BAFTA and Golden Globe Award nominated. It was also to be his final album to be released under Columbia Records, which had been his US label for over five years. The majority of the album is a retrospective – which is sequenced in the order of the songs' appearance in the film – features re-interpretations of many of Paul McCartney's past classics of the Beatles and Wings: "Good Day Sunshine", "Yesterday", "Here, There and Everywhere", "Silly Love Songs" , "For No One", "Eleanor Rigby" and "The Long and Winding Road".
Give My Regards to Broad Street is the fifth solo studio album by Paul McCartney, as well as the soundtrack album to his 1984 film of the same name. The album reached number 1 on the UK chart. The lead single, "No More Lonely Nights", was BAFTA and Golden Globe Award nominated. It was also to be his final album to be released under Columbia Records, which had been his US label for over five years. The majority of the album is a retrospective – which is sequenced in the order of the songs' appearance in the film – features re-interpretations of many of Paul McCartney's past classics of the Beatles and Wings: "Good Day Sunshine", "Yesterday", "Here, There and Everywhere", "Silly Love Songs" , "For No One", "Eleanor Rigby" and "The Long and Winding Road".
Ever since the early days of the Beatles, Paul McCartney has known the value of a pseudonym, famously registering into hotels under the surname Ramone and pushing the Fab Four to act like another band for Sgt. Pepper. This carried through to his solo career, where he released a couple odd singles while flitting back and forth with Wings, but he never again embraced the freedom of disguise like he did with Sgt. Pepper until 2008, when he put out the Fireman's Electric Arguments. McCartney created the Fireman alias with Youth back in the mid-'90s when electronica was all the rage and Macca hesitated dipping his toe in the water on his own LPs. A decade after Rushes, he revived the Fireman moniker not to cut another electronic record but to put out what in effect was McCartney III: a weird clearinghouse of experiments, jokes, detours, and rough-hewn pop…