Paul Moran

Paul Moran high energy Hammond B3 organ Paul Moran – SMOKIN’ B3, VOL. 2 STILL SMOKIN’: I make “new” musical discoveries every single day (with the help of some excellent promoters, I might add)… Paul’s latest album is one of those, to be sure… in addition to his excellent Hammond organ work, he also plays trumpet & flugelhorn; the instruments & players in support of this marvelous music are – Electric and Acoustic Guitar- Nigel Price, Electric Bass- Laurence Cottle, Drums- Mez Clough, Percussion- Michael Osbourne, Electric Guitar- Jim Mullen Drums Adam Roman, Percussion- Jeff Scantlebury… just listen to the high-energy performance on Paul’s original composition, “Ruby Blues“, & you’ll be rockin’ right along with him & his krew in only a couple of bars. (the samples should go HOT on the release date, 29 September, 2017).

Paul Moran high energy Hammond B3 organ Paul Moran – Smokin B3, Vol. 2: Still Smokin': I make “new” musical discoveries every single day (with the help of some excellent promoters, I might add)… Paul’s latest album is one of those, to be sure… in addition to his excellent Hammond organ work, he also plays trumpet & flugelhorn; the instruments & players in support of this marvelous music are – Electric and Acoustic Guitar- Nigel Price, Electric Bass- Laurence Cottle, Drums- Mez Clough, Percussion- Michael Osbourne, Electric Guitar- Jim Mullen Drums Adam Roman, Percussion- Jeff Scantlebury… just listen to the high-energy performance on Paul’s original composition, “Ruby Blues“, & you’ll be rockin’ right along with him & his krew in only a couple of bars.

Digitally remastered two CD collection covering the Ivor Novello Award winning singer/songwriter mid to late '70s recordings. All recordings have been remastered from original tape sources, the albums packaged with photo's and memorabilia from Lynsey's archive.

Live at Midem with Stan Getz, Paul Horn, Mike Garson, and Jazz Gala '80 are a continuation of a new tradition at Midem — a performance and recording of major jazz artists and the up and coming international jazz stars at the world record convention. Stan Getz traveled from Fort Lauderdale, Florida, taking leave from a gig at Bubba's and arrived in Cannes with his musicians: Andy Leverne, Brian Bromberg, Chuck Loeb, Victor Jones, on the morning of the 23rd of January '80. The show and recording session were that evening taped with a twenty-four track mobile unit from Paris. Paul Horn was in Cannes for Midem, having traveled from his home in Canada. Sugar Blue and Patrick Artero arrived the day before by train from Paris, and Gayle Moran, Joe Farrell and Mike Garson suffered a time differential of nine hours between the South of France and their homes in Los Angeles. The show's form and substance took shape at the rehearsel. Jean Claude Ast, the French assistant producer orchestrated the complex rehearsel schedule with musicians and technical people staying at dozens of hotels in Cannes.