Pavel Haas Quartet

Their recording of the American Quartet and String Quartet No. 13, Op. 106 (Gramophone Award - Recording of the Year), elevated the Pavel Haas Quartet among the finest performers of Antonín Dvorák's music. This position was subsequently confirmed by a recording of the composer's quintets, made with the violist Pavel Nikl, a founding member of the ensemble, and the pianist Boris Giltburg, winner of the Queen Elisabeth Competition. The album received the most coveted classical music accolades (Gramophone Chamber Award, BBC Radio 3 Record Review Discs of the Year, Diapason d'Or, etc.). While recording the Dvorák quintets, the logical idea of a Brahms album was born.

Second in popularity only to the Ninth Symphony "From the New World," Dvorák's Twelfth String Quartet – which was dubbed the "American" Quartet by the public and media rather than the composer himself – is a work nearly synonymous with the composer's tenure in the United States. These were not the only two works inspired by his cross-sea voyage, however. The Thirteenth String Quartet in G major, Op. 106, though not imbued with the same folkloric characteristics, also came about following the composer's return from the States. The popularity of the "American" Quartet has resulted in a work that is arguably overplayed, making it difficult for new ensembles to find anything new or unique to say about it.

The highly anticipated new recording from the Gramophone Recording of the Year winners in 2011. Two years on from their award winning Dvorak album, the Pavel Haas Quartet turn their attention to Schubert’s two late masterpiece. The String Quartet in D minor has a sort of dark cipher encoded within. The title “Death and the Maiden” reflects the quotation from Schubert’s eponymous song in the second movement. The theme of death is also underlined by other quotations and the choice of the key of D minor, which according to the period definition is characterised by “heavy-hearted womanliness, spleen and foreboding”.

What an outstanding release! Pavel Haas was one of the many Czech/Jewish composers interned by the Nazis at the Terezin concentration camp before being sent to the gas chambers at Auschwitz. His three string quartets are extraordinary pieces, continuing the line of development inaugurated by Janácek both in their exploration of unusual sonorities and in their use of folk and popular music for much of their melodic substance. The Quartets Nos. 2 and 3 previously were recorded by the Hawthorne Quartet as part of Decca’s Entartete Musik (Degenerate Music) series dedicated to works suppressed by the Nazi regime, but these performances are superior in every way.

This premiere recording by the Pavel Haas Quartet has quite a bit going for it. For starters, the programming is intelligent – something that's always appreciated. Here are two string quartets written by teacher (Janácek) and student (Haas); in fact, both works were given their premiere by the same ensemble (the Moravian Quartet). The liner notes do a nice job of pointing out these and other connections as well as describing the programmatic content of the two works. The ensemble is filled with youthful energy and passion, which is reflected in the music.

The Pavel Haas Quartet, one of the very finest chamber ensembles of the present time, earned for their first two CDs (Janáček, Pavel Haas) numerous prestigious accolades (Classic FM Gramophone Award, BBC Music Magazine Award, Cannes MIDEM Classical Award, etc.). With the Prokofiev pieces featured on this album the Quartet has for the first time entered the field of the Russian (or, if you will, international) repertoire.

The most popular Dvořák’s chamber repertoire performed by one of the world’s most exciting string quartets..