Pearl Jam Ten

Pearl Jam rose from the ashes of Mother Love Bone to become the most popular American rock & roll band of the '90s. After Mother Love Bone's vocalist, Andrew Wood, overdosed on heroin in 1990, guitarist Stone Gossard and bassist Jeff Ament assembled a new band, bringing in Mike McCready on lead guitar and recording a demo with Soundgarden's Matt Cameron on drums.

Pearl Jam entered Seattle's London Bridge Studios in March 1991 to record their debut album, Ten. Drummer Dave Krusen left the band in May 1991 after checking himself into rehabilitation and was replaced by Matt Chamberlain, but after just a handful of gigs Chamberlain left too and was superseded by Dave Abbruzzese, who played the rest of Pearl Jam's live shows supporting Ten. Released on August 27, 1991, Ten contained eleven tracks dealing with dark subjects like depression, suicide, loneliness, and murder.

Nearly 15 years after Ten, Pearl Jam finally returned to the strengths of their debut with 2006's Pearl Jam, a sharply focused set of impassioned hard rock. Gone are the arty detours (some call them affectations) that alternately cluttered and enhanced their albums from 1993's sophomore effort, Vs., all the way to 2002's Riot Act, and what's left behind is nothing but the basics: muscular, mildly meandering rock & roll, enlivened by Eddie Vedder's bracing sincerity. Pearl Jam has never sounded as hard or direct as they do here – even on Ten there was an elasticity to the music, due in large part to Jeff Ament's winding fretless bass, that kept the record from sounding like a direct hit to the gut, which Pearl Jam certainly does. Nowhere does it sound more forceful than it does in its first half, when the tightly controlled rockers "Life Wasted," "World Wide Suicide," "Comatose," "Severed Hand," and "Marker in the Sand" pile up on top of each other, giving the record a genuine feeling of urgency. (AMG)