People Usa From August 15, 2016

Savage is the original 80′s Italodisco pop star, worldwide famous singer and platinum record producer of Europop and Eurodisco artists such as Corona, Alexia, Double You and Ice Mc. Composer and writer of various multimillion worldwide hits. His real name is Roberto Zanetti, a man with the passion for music since ever, started just as a hobby until he began studying the piano seriously at the age of fourteen. Shortly afterwards he got together with small music groups, such as “L’inchiesta”, “Fathima e i pronipoti” and “I sangrià”, playing keyboards. His first professional experience came about with the group “Santarosa” with whom he recorded a single, “Souvenir” that went on to sell two hundred thousand copies in Italy.

Various Artists - Last Of The Garage Punk Unknowns, Volumes 7 & 8 (2016) {Crypt Records CRYPT118 rec 1965-1967}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 285 Mb | MP3 @320 -> 175 Mb
Full Artwork @ 600 dpi (jpg) -> 243 Mb | 5% repair rar
© 1965-67, 2016 Crypt Records | CRYPT 118
Rock / Garage Rock / Psychedelic

30 prime slabs of mid-60s USA garage punk MISERY - garage punk SADness from LPs 7 & 8 with liner notes, band photos, label scans. (NOTE: This is an entirely NEW series and NONE of these tracks were on the old series “GARAGE PUNK UNKNOWNS”). If anyone knows angst, it's a teenager, a breed that thrives on wearing misery on their sleeves. Fans of vintage '60s garage rock usually favor sneering delinquents armed with fuzz pedals, but there was a long-running subgenre of garage rock that dealt with heartbroken guys trying to make sense of a cold, unforgiving world (or at the very least, cold, unforgiving girls). Crypt Records has given these bummed-out classics their due on Last of the Garage Punk Unknowns, Vols. 7-8, subtitled "Heartbroken American Garage Jangle Misery 1963-1967."

Alan Parsons studied a number of musical instruments in childhood but, like many of his peers, settled on the guitar in his early teens. His job in the late 1960s at the EMI tape duplication facility allowed him access to many classics of the day, including the tape master of The Beatles Sgt. Pepper's Lonely Hearts Club Band (1967), which fired him up to become a recording engineer. He subsequently managed to get work at the Abbey Road Studios and participated in the creation of The Beatles albums Let It Be (1970) and Abbey Road (1969) and the infamous Apple rooftop session. He also went on to work as mix engineer with Paul McCartney and George Harrison after The Beatles split…

Rudy Adrian keeps on surprising the listener with his excellent blend of retro-electronic music and ambient soundscapes. In the USA, people now also had the opportunity of seeing this special musician live because he toured there in 2002. The result, "Concerts in the USA", contains perhaps the best music the New Zealander has produced until this moment.
The CD opens with "Japanese Garden" with beautiful atmospheres, which accompany Rudy’s dark voice and a big, Vangelis-like, solo. Then the sequences enter the music in "The Donner Pass Rail Corridor". They become heavier and heavier as the piece further progresses and Adrian gets the chance to put in even more solos…

Particles presents the first ever box set anthology of Ireland's 1960s rock music scene. Only two long-out-of-print compilations have ever emerged to profile Ireland's rock roots, making this anthology doubly inviting. From the R&B/blues scene in Belfast to the late 1960s psychedelia of Dublin, People! Let's Freak Out reveals a wider account of the beat scene, and its transition into psychedelia and blues rock. While Ireland has never been given equal acclaim to that of its neighboring England, it nevertheless produced some of the most iconic and influential bands of the period. As Van Morrison and Them were leaving Belfast for London, a slew of new hopefuls arrived to establish their own niche under the nose of the dominant showband scene. Compiled here, are 125 original recordings featuring various groups from Eire and Northern Ireland, some of whom went on to huge success in the 1970s. From Ian Whitcomb to Eire Apparent, The Bye-Laws to the Belfast Gypsies and Gentry to Sugar Shack, People! Let's Freak Out is a fascinating account of Ireland's more obscure and vibrant music scene of the 1960s. Spanning five discs with rare and previously unreleased recording People! Let's Freak Out offers an excellent companion to similar anthologies such as Nuggets, Rubble, and Buried Alive.