People From 28 September 2015

The third album from Detroit post-punk outfit Protomartyr ups the ante considerably from the first two. Their grim but compelling songs highlight a place where violence hovers constantly at the periphery, where peace and hope gradually curdle and turn ugly, and the desperate people who once clung to them eventually fall prey to their worst impulses.

Have you ever wondered what the definition of underground music is? Look no further. The PLASTIC PEOPLE OF THE UNIVERSE /PPU/ were exactly that. While the western "underground" bands of the 60s and 70s might have looked a bit freaky, or were simply stoned enough to slightly shock the establishment, the PPU were jailed by the Czechoslovak communist regime solely because they dared to play their music for a bunch of long-haired fans. Nothing more, nothing less, but indirectly causing an immense political effect for the years to come. Due to all the hurdles, the PPU remained in the underground until 1988. Our collection brings together their best tracks from nearly two decades, presented in genuine fidelity underground quality.

You won’t be seeing Mark Knopfler in melodramatic newspaper headlines or on talent show panels. The much-travelled craftsman prefers to reside wherever the song takes him, from writing room to rehearsal space, recording studio to concert hall. He is, as tirelessly and inquisitively as ever, on the trail of some musical truth, just as he has been since the 45s of Ricky Nelson and Lonnie Donegan, or the playing of Hank Marvin and Duane Eddy, sent him down a path that led to 125 million record sales.

Joseph Kerman was a leading musicologist, music critic, and music educator from the 1950s to the 2000s. He reshaped our understanding and appreciation of Western classical music with his first book, Opera as Drama (1956), to his last, Opera and the Morbidity of Music (2008), including his studies on Bach, Beethoven, William Byrd, concertos, and more. He was a professor at the University of California at Berkeley, where he served two terms as chair of the Music Department. He wrote Listen together with his wife, Vivian Kerman.