Perico Sambeat Roneando

"Flamenco and jazz are brothers,” says pianist Daniel García, one of the most exciting voices of the new generation of Spanish jazz. “They have some essential things in common: self-expression, a total engagement at the instant of making music, plus the deep experience of the moment". That is how he sums up what "Travesuras" is all about: Garcia has delved deeply into the music of his homeland and has combined influences from it with the vocabulary of the modern jazz piano trio. What emerges is music which is expressive, stands on its own terms, and in which rhythmic intensity is allied with melodic richness, harmonic finesse and exceptional virtuosity.

The new album of Catalan drummer Marc Miralta, entitled 'Flamenco Reunion' (Contrabaix / Karonte) is simply very good, one of those albums worth hearing several times because all the music contained therein excellence rubs and it is always outstanding. Yes, jazz, flamenco and flamenco jazz, enjoys an enviable health. Fifteen years ago Miralta edited 'New York Flamenco Reunion', a great drummer disk where acknowledged his debt to flamenco music that (re) discovered while in the United States. Are those paradoxes of life: Miralta had to go outside to see the value of flamenco for your own music.