This spectacular live concert, filmed at London’s O2 using the latest Ultra High Definition 4K technology, captures Peter Gabriel’s celebration of the 25th anniversary of his landmark album “So”. To mark the event Gabriel reunited his original “So” touring band from 1986/87 and for the very first time fans saw them play the multi-platinum selling album in its entirety…
This September, Rhino are to release a new four-CD box set that shines a light on the collaborative work of Phil Collins. Plays Well With Others features an incredibly broad array of music from a diverse range of artists including Brian Eno, John Cale, Eric Clapton, Tears For Fears, Howard Jones, Paul McCartney, Adam Ant and more…. [superdeluxeedition.com]
At times albums are born out of an explosion of creativity. At other times they are a sort of musical distillation of ingredients, carefully selected and combined to create a tasteful and sensitive sonorous balance. Ones and Zeros is a successful mixture of musical colours. A project that has evolved over years, lending itself to the contributions of musicians of very different musical and cultural backgrounds, each one leaving their own very personal touch on the project. Ones and Zeros is the second solo album of Saro Cosentino. Already active on the electronic and musical fronts, with Ones and Zeros, Saro has widened his musical boundaries to encompass a fuller and more organic conception.
Blending the literate and expressive lyrical style of a classic singer/songwriter with music rooted in indie rock, Joseph Arthur is a well-respected songwriter and performer whose work has impressed critics as well as artists such as Peter Gabriel and Michael Stipe. Arthur's original goal was to become a hotshot bass player, but exposure to Bob Dylan and Kurt Cobain prompted him to take up songwriting, and in 1996, he self-released an EP that made its way to Peter Gabriel, who signed Arthur to his Real World label. 1997's challenging Big City Secrets and 2000's rootsy Come to Where I'm From impressed critics and discriminating listeners, and 2004's Our Shadows Will Remain found him digging even deeper into his confessional tales. With 2007's Let's Just Be, Arthur launched his own record label, Lonely Astronaut, giving him greater control over his music as he recorded idiosyncratic projects such as 2013's The Ballad of Boogie Christ and 2014's Lou (the latter a collection of Lou Reed covers).
George Martin is one of the world's most famous record producers and yet, despite a long and varied career, he is most celebrated for his era-defining work with the Beatles. The six-CD box set Produced By George Martin commemorates his 50 years behind the desk. The discs are in chronological order and loosely themed–early years, comedy recordings, 60s hits, orchestral, etc. While generally presented in a chronological fashion, each disc is likewise aptly subtitled. Disc one – "Crazy Rhythms" – features pre-rock & roll big band ("High Society"), skiffle ("Don't You Rock Me Daddy-O"), and dance music ("Scottish Polka" and "Saturday Jump"). In addition, there are tracks from other well-known yet rarely heard artists such as Jimmy Shand ("Bluebell Polka") and Rolf Harris ("Sun Arise"). The "Transports of Delight" on disc two highlight spoken-word and comedy sides produced by Martin in the '50s and '60s.
Even before the first KuschelRock album, Kuschelrock was named as a weekly nightly music program for HR3 radio station (HR3 broadcasts from Frankfurt, Germany), the author and host of this project was Thomas Koschwitz, who is considered to be the co-author of a number of albums in Kazle … After Sony Music patented the right to release a series of albums called "KuschelRock", the HR3 radio station can no longer air this night music show … And now Sony Music regularly releases every year on the album …
Time Life was founded in 1961 as the book division of Time Inc.. It took its name from Time Inc.'s cornerstone magazines, Time and Life, but remained independent of both. During 1966, Time Life combined its book offerings with music collections (two to five records) and packaged them as a sturdy box set. Throughout the 1970s and 1980s, the selection of books, music and videos grew and was diversified into more genres. When record labels stopped producing vinyl albums in 1990, Time Life switched to CD only. In the mid-1990s, Time Life acquired Heartland Music, with the Heartland Music label now appearing as a brand. This company was subsequently sold off and is no longer attached to Time Life.