'Les Six' (so named in 1920 by critic Henri Collet) hit the classical music scene with almost the same outrageous force with which the punk movement slammed into popular music in the 1970s and early '80s. It consisted of a group of six composers working in France: Francis Poulenc, Darius Milhaud, Arthur Honegger, Georges Auric, Germaine Tailleferre and Louis Durey. Their music was largely a reaction against Impressionism and Wagnerism and incorporated the ideas of Satie and Cocteau with the popular styles of the time: French vaudeville, American jazz and café music.
I have heard for so many years that the guitar is not a true classical instrument worthy of of a place in the symphony. Here you have a masterful recording from a composer that was a contemporary of Beethoven. It trully rivals anything I have heard form that period! I have been a Carulli fan ever since I started studying classical guitar. I love either playing or listening to his works. With nearly four hundred opus numbers, he has something to offer even the most discriminating classical music lover. This particular recording has a nice mix of concertos and duets for guitar and flute that seem to be the perfect combination for music that soars along.
Sharon Bezaly has demonstrated her great gifts as a flutist on a number of recordings on BIS ranging from the concertos written for her by renowned contemporary composers, including Sofia Gubaidulina and Kalevi Aho, to the classic staples of the flute literature such as Mozart’s concertos and flute quartets. Along the way there has been a wealth of imaginatively programmed recital discs, focusing on the great flute sonatas as well as the French flute tradition.
This new album by flutist Stathis Karapanos represents Paul Hindemith’s (1895–1963) complete works for flute featuring an impressive roster of accompanying artists. This selection, which also includes one world première recording, shows the unexpected versatility of Hindemith, one of the major names in 20th Century music, as a composer.