The follow-up to 2009's Good Day, Peter White's 13th studio effort, 2012's Here We Go, features more of the adept smooth jazz guitarist's lyrical and lightly funky cuts. Sticking primarily to his acoustic nylon-string guitar, White mixes in keyboards, various percussion instruments, saxes, and horns to create various moods throughout with the primary vibe being one of relaxed joy. To these ends, we get the steamy R&B-infused cut "Time Never Sleeps," the languid instrumental pop of "Our Dance," and the club-ready dance number "Joyride." Adding to the sophisticated aura of the album are guest appearances by such artists as David Sanborn, Andrew Neu, and Kirk Whalum.
Peter White is one of those rare artists whose unique sound and natural, unpretentious musical vision encapsulate all the charm, appeal, and excitement of his genre. However one chooses to label that style – new adult contemporary, contemporary jazz, pop instrumental – the English-born acoustic guitarist has struck rare chords, artistically, commercially, and emotionally, in becoming a melodic mainstay at the top of every radio airplay and sales chart known to soulful, smooth jazz since launching his solo career in 1990 with reveillez-vous. White's similarly warmhearted, instantly infectious Columbia debut Caravan of Dreams continues in the R&B vein of his previous two discs (1993's Promenade and 1994's Reflections), focusing on his trademark breezes while texturing street-smart synth grooves with a free-spirited all-star ensemble to create a whimsical musical travelog.
For his tenth full-length album, Playin' Favourites, British smooth jazz giant Peter White decided to, as the title suggests, turn to some of his favorite tracks from the '60s, '70s, and '80s, giving each of them his own interpretation (he did a similar thing in 1994's Reflections). Working with longtime producer Paul Brown, as well as musicians Boney James, Rick Braun, and Dave Camp, among others, White successfully turns the 11 songs on Playin' Favourites into instant crossover jazz hits. Mainly this means adding horns and keyboards to the background while the guitarist lithely moves around from the melody into lush improvisationally based solos, rendering them much slicker and smoother than they were before (although granted, he didn't have to do much to turn Bacharach's James Bond classic "The Look of Love" into something so adult contemporary).
Smile, set for release on October 7th, is White's fourteenth recording as a leader, and his scintillating, contemporary jazz sound is buttressed by his equally-impressive command of several instruments and augmented by an impressive array of special guests, including vocalist Mindi Abair, trumpeter Rick Braun, soprano saxophonist Euge Groove, keyboardist Philippe Saisse, bassist Nate Phillips, violinist (and daughter) Charlotte White, Ramon Yslas on bongos and vocalist Stevo Theard.