Phil Markowitz

In 1962 Benny Goodman had a historic visit to the Soviet Union, touring with a big band full of young all-stars. After the orchestra returned to the U.S., tenor saxophonist Al Cohn (who had not made the trip but did write some of Goodman's charts) put together an album (also released by Colpix) using many of the sidemen and paying tribute to the event. Strangely enough none of the six numbers are Cohn originals and he does not play on the record although he arranged all of the music. Of the six songs, "Mission to Moscow," "Let's Dance" and "Russian Lullaby" were part of Goodman's repertoire. Altoist Phil Woods effectively doubles on clarinet and other soloists include tenor saxophonist Zoot Sims, trumpeter Marky Markowitz and trombonist Willie Dennis. An interesting set of modern swing.

Chet Baker’s 1978 European tour with pianist Phil Markowitz, bassist Scott Lee, and drummer Jeff Brillinger produced several recordings of varying quality. Live at Nick’s is considered a classic, whereas Two a Day, recorded only one month later, is less consistently rewarding. The tapes on which Oh You Crazy Moon is based were recorded live in Stuttgart within the same few weeks as the Two a Day concerts, and are certainly worth hearing, if not quite essential.

Chet Baker - Live at Nick's (1978) {Criss Cross Jazz, Criss 1027CD rel 1989}
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© 1978, 1989 Criss Cross Jazz | Criss 1027 CD
Jazz / Cool / West Coast Jazz / Trumpet

Recorded for Dutch radio, this is one of Chet Baker best live recordings. Live At Nick's is a very fine set, extermely well modulated, one of mere handful of albums from the last two decades of Chet's career that have to be considered essential.

Chet Baker's personalized style was well served later in his life, and as his days in Europe were more conducive to his personal lifestyle, it also gave his music a chamber-like quality while maintaining modern mainstream values. Broken Wing is a combination of the two aspects of Baker's understated romanticism, the deep-seeded pain through his drug abuse and the humanity that lies underneath the rough-hewn surface of his tattered heart. ~ AllMusic

There's a 20-plus-year span between electric guitarist Hahn's Brotherhood recordings and this CD. In between he's gone from hippie to tweed suit while establishing the jazz guitar studies program at Wichita State University, taking residence in Portland and Denver, and doing this date in NYC with all-stars bassist Steve LaSpina, drummer Jeff Hirshfield, either pianists Phil Markowitz or Art Lande, and soprano saxophonist David Liebeman for two selections. Hahn's influence on Pat Metheny, John Scofield, John Abercrombie, Mike Stern, and Bill Frisell is clear. He uses a little delay, echo, and reverb, just enough to enhance his improvisations, and when he's technically concentrating, he can easily be coarsely sparse and sharply staccato, elongated from a chordal standpoint, a bit twangy, and consistently tasteful…

Chet Baker - The Sesjun Radio Shows (2010) {2CD Set, Beeld En Geluid PRCD2010091 rec 1976-1985}
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© 1976-85, 2010 Beeld En Geluid / T2 Entertainment | PRCD 2010091
Jazz / Cool / West Coast Jazz / Trumpet

Chet Baker was often not at his best in later years, taking nearly every live gig or recording date regardless of whether he was physically and mentally up to it (due to his longtime drug habit) or the musicians were truly compatible. Happily, Baker is in top form during these live broadcasts from the Sesjun radio shows (which aired from 1973 to 2004) in The Netherlands. The first four songs feature Baker with his regular pianist Harold Danko, bassist Cameron Brown, and flutist Jacques Pelzer. The breezy rendition of "There Will Never Be Another You" comes across effortlessly, with fine solos all around and the leader offering a strong vocal and intricate trumpet in the ensembles.

Though Bob Mintzer normally works in the big band tradition, the tenor saxophonist does the occasional small combo session as well. In the Moment is one of those rare sets, recorded in one December 2004 session with the rhythm section of pianist Phil Markowitz, bassist Jay Anderson and drummer John Riley. A completely straightforward mainstream jazz set in the post-bop tradition, In the Moment mostly consists of originals (the highlight of which is Markowitz's lovely ballad "Forgiveness"), with a respectful take on the ballad standard "Time After Time" and a playful, swinging version of Eddie Harris' soul-jazz hit "Listen Here" thrown in for variety.

One of the numerous Chet Baker recordings that appeared for the first time following his mysterious death in 1988, this release was taped the day after his long unavailable Broken Wing (last available on Inner City). Primarily a set of standards, the quartet (with pianist Phil Markowitz, bassist Jean-Luis Rasinfosse, and drummer Jeff Brillinger) starts with "Two a Day," a brisk but brief original blues by the leader. Baker is at his lyrical best as a trumpeter on the foot patting take of "If I Should Lose You," while his hushed vocals prove effective during an otherwise rather long "This Is Always." Markowitz is an especially sensitive accompanist through this studio session. With well over 40 dates as a leader by Chet Baker recorded between 1970 and the end of his life (with more to appear for the first time, no doubt), this release may not be an early priority for the typical fan of cool jazz, but serious jazz collectors will want to acquire it.