Strictly speaking, Phil Spector wasn't even a performer – he was a musician, but he very rarely released records under his name. As a producer, however – and, to a significant extent, songwriter, label owner, and session player – he influenced the course of rock & roll more than all but a handful of performers. The Wall of Sound that he perfected in the early '60s led to unlimited possibilities for arrangements and sound construction in rock and pop, and his brilliant talents imprinted the discs that he produced with an artistic vision that was much more attributable to him than to the talented performers with whom he worked.
Strictly speaking, Phil Spector wasn't even a performer – he was a musician, but he very rarely released records under his name. As a producer, however – and, to a significant extent, songwriter, label owner, and session player – he influenced the course of rock & roll more than all but a handful of performers. The Wall of Sound that he perfected in the early '60s led to unlimited possibilities for arrangements and sound construction in rock and pop, and his brilliant talents imprinted the discs that he produced with an artistic vision that was much more attributable to him than to the talented performers with whom he worked.
Back to Mono (1958-1969) is a box set four-disc compilation of the recorded work of record producer Phil Spector, during the decade of the 1960s, released 1991, ABKCO 7118-2. The first track, "To Know Him Is To Love Him," presents the only exception as it was released in 1958, featuring Spector as performer as well, as part of the group The Teddy Bears. Initially a vinyl album-sized package, the box contained a booklet with photographs, complete song lyrics, discographical information, and a reproduction of the essay on Spector by Tom Wolfe, "The First Tycoon of Teen."