Philip Anderson

Neil Campbell teams up with Carlo Bowry (Muffin Men/Wizards of Twiddly) and composer/producer Gordon Ross for a release featuring Philip Glass's composition Metamorphosis (beautifully re-arranged as a classical and electric guitar duet), and Steve Reich's Electric Counterpoint performed with multiple classical guitars and basses.

Anderson East mixes immersive, polished production with the easygoing soul of his voice on the new song “Madelyn.” The moody single arrives as the first taste of East’s upcoming album, Maybe We Never Die. Due August 20th, the LP is the Alabama vocalist’s follow-up to 2018’s Encore and pairs him with Dave Cobb and Philip Towns, who co-produce.

Maybe We Never Die, Anderson East's third release for Elektra / Low Country Sound takes the Alabama born, Nashville-based singer-songwriter’s seductively vintage voice in a decidedly fresh direction. The 12 tracks flow together with an overarching sense of ambience but maintain distinct musical boundaries.

As one of postmodern music's most celebrated and high-profile composers, Philip Glass' myriad orchestral works, operas, film scores, and dance pieces proved essential to the development of ambient and new age sounds, and his fusions of Western and world musics were among the earliest and most successful global experiments of their kind. Tirelessly exploring and pushing boundaries since the early '60s, Glass produced multiple breakthrough works that helped define entire musical movements, with standouts including 1976's durational opera Einstein on the Beach, 1982's collection of more accessible neo-classical pieces Glassworks, and stellar film scores perfecting the mood for The Thin Blue Line, Kundun, The Hours, and many, many more.