Never less than rough, ready and raw the UK Subs proved with the 7 top 40 hits included here that smooth edges weren’t needed in the wake of the Punk explosion. The singles CID, Tomorrows Girls and Stranglehold perfectly captured the mood of the times and remain as impressive as they were upon first release. A retrospective covering the most successful period of the bands career during Punk’s high tide in the late 70s. Includes the hits Tomorrows Girls, Stranglehold, She’s Not There and Warhead. Sleevenotes and compilation by Alan Parker.
Since their re-emergence in 1973, the Shadows had established themselves among the most tasteful guitar instrumental bands of the age. True, their greatest singles hits tended to be vocal numbers – the Eurovision Song Contest smash "Let Me Be the One" paramount among them. But mention the Shadows to the average record buyer, and still the first thought that comes to mind was of seamless, sweet, and soaring guitar epics – which was precisely the thinking behind this set. Despite a track listing which featured three of the band's most recent 45s, String of Hits was not titled for the band's own singles success…
Consider The Best of Everything a companion piece to An American Treasure, the first posthumous Tom Petty compilation. Weighing in at four CDs, An American Treasure was designed as a gift to the devoted who were still in mourning. In contrast, The Best of Everything is aimed at the fan who didn't dig quite so deep, or perhaps to listeners who always liked Petty but never bothered to purchase an album. The Best of Everything relies on the hits that were largely absent on the box set but it takes a similar non-chronological approach to sequencing, a move that emphasizes Petty's consistency as both a songwriter and recording artist. This distinguishes The Best of Everything from 2000's Anthology: Through the Years, which also spanned two discs and contained four fewer songs than this 2019 set. Apart from that notable aesthetic choice, there is a considerable amount of overlap between the two double-disc collections – namely, all the hits Petty had with and without the Heartbreakers between 1976 and 1993, when he switched from his longtime home of MCA to Warner.
Priming the pump for their new 2008 studio album, the Cure invite five of their modern-day disciples to remix the first round of singles from their forthcoming 4:13 Dream - all released during the summer of 2008 - for theHypnagogic States EP. All the acts here - Pete Wentz and Patrick Stump of Fall Out Boy, Jared Leto of 30 Seconds to Mars, Gerard Way of My Chemical Romance, Jade Puget of AFI and Cure opener 65 Days of Static - do demonstrate some clear debt to the Cure, which manifests not in a doomy, sultry fashion but oddly, in mixes that are somewhat reminiscent of early-'90s Cure B-sides - an appropriate enough sound given the ages of the musicians, but not quite the classic Cure that provides their inspiration (although to be honest, apart from parts of MCR and AFI, none of these bands really sounds that much like the Cure, they just like Robert Smith's makeup)…
By the end of the 1970s, Smokie seemed more or less spent as a serious commercial force, although they continued racking up the hit singles, sporadically at home and consistently in Germany. This album, however, caught them during one of their fallow patches, midway between the peaks of "Mexican Girl" and "Take Good Care of My Baby," and it was very easy to overlook it entirely…