The 1970s were heady years indeed for the Haydn collector, with complete recorded cycles of the symphonies, quartets and keyboard works and the first-ever recordings of many of the operas. Attracting less immediate attention than these boxed sets were the activities of the Beaux Arts Trio who, proceeding by stealth with one disc at a time, recorded Haydn's complete piano trios between 1970 and 1978.
Founded in 2010, Trio Gaspard has become one of the most sought-after piano trios of its generation, whose members are praised for their unique and fresh approach to the score. The Trio is regularly invited to perform at leading concert halls throughout the world. It has an impressive history of international festival appearances, and each member also continues to pursue a successful solo career.
There's beauty aplenty in Parnassus' playing… MDG's recording, by placing the piano (which sounds wonderful throughout) slightly back in the acoustic, achieves a believable and wholly satisfying instrumental balance.
There's beauty aplenty in Parnassus' playing… MDG's recording, by placing the piano (which sounds wonderful throughout) slightly back in the acoustic, achieves a believable and wholly satisfying instrumental balance.
Like a good wine, good music must also mature. Consciously or unconsciously, Trio Parnassus which was formed in 1982 has followed this maxim in the course of its almost 20-year history. Perfection, love of detail, a keen feeling for moods, and a taste for discovery is what distinguishes Yamei Yu {violin), Michael Gross (cello) and Chia Chou (piano). The reaction of the public and the critics was correspondingly enthusiastic in 1996 at the New York debut in the Great Performers Series at the Lincoln Center, in 1997 at the Masters Series at the London Wigmore Hall, and in 1999 at the National Gallery’s Chamber Music Series in Washington.
"The Trio Parnassus has maintained a reputation as one of the finest piano trios in Germany from the latter-twentieth and early-twenty first centuries despite a fair number of personnel changes. The ensemble has developed a reputation for straddling two rather distinctive worlds in its repertory choices: while it plays standards from the Classical and Romantic periods, as well as many twentieth century and contemporary works, it has also devoted much time to the rediscovery of forgotten compositions by nineteenth century composers like Woldemar Bargiel, Joseph Rheinberger, Philipp Scharwenka, and several others…" ~allmusic