Pierre Leveque

It's hard to imagine that a group as bottom-heavy as percussionist Pierre Favre's new ensemble could actually sound light and ethereal. But Fleuve does just that. With a septet featuring two basses, tuba/serpent, percussion and, at times, bass clarinet, there's no shortage of warmth and depth. But with guitar, harp and soprano saxophone fleshing out the middle and top end, Fleuve manages to have both weight and an airy ambience that works, in no small part, due to Favre's carefully crafted compositions and the kind of sonic transparency that's long been a defining aspect of the ECM aesthetic.

Claudio Abbado’s youthful Beatle­cut marks the age of this film‚ still one of the better screen Barbieres if not absolutely the best. Jean­Pierre Ponnelle based it on his Scala stagings‚ but filmed it‚ as he always preferred‚ in studio and in lip­sync – more successfully than most. As a result‚ it looks and sounds very much fresher on DVD than contemp­orary videotapes.

Not surprisingly, Jean-Pierre Rampal’s recordings for Erato during the 1970s – when he was at the top of his career – encompass an immense repertoire, with a special emphasis on discoveries, whether in baroque, classical or romantic flute literature. Still a model today for flutists and flute lovers all over the world, his incomparable sound, spectacular brilliance and fabulous artistry made many albums legendary. Beyond their sheer beauty, the immense joy of music-making they communicate and the excitement they generate make these performances simply unforgettable.

Pierre Monteux was remembered by Sir Georg Solti in his memoirs as "one of most brilliant conductors of the first half of the twentieth century"
• Assembled together, for the first time, Pierre Monteux’s complete recordings for Decca,Philips, Westminster and Decca/RCA.
• Including bonus disc of rehearsal material never before released, from producer Christopher Raeburn’s archives (courtesy of the British Library) – including
Daphnis et Chlo? and Beethoven Symphonies Nos. 3& 9.
• Includes the first international CD release of a Ravel disc conducted by Claude Monteux – Pierre’s son.

Collecting five CDs for about the price of three, this set of Boulez recordings is without parallel among the conductor's new-music releases. Imagine getting Boulez's celebrated single CD of Luciano Berio's Sinfonia and Eindrücke and his equally impressive single CD of Arnold Schoenberg's Pelleas und Melisande and Variations for Orchestra, bundled with four pivotal Elliott Carter works, Sir Harrison Birtwistle's electrifying …AGM…, Gérard Grisey's Modulations, Iannis Xenakis's Jalons, Hugues Dufourt's Antiphysis, and Brian Ferneyhough's Funerailles, and you have an idea how far this set stretches.

Pierre Monteux was remembered by Sir Georg Solti in his memoirs as "one of most brilliant conductors of the first half of the twentieth century"
• Assembled together, for the first time, Pierre Monteux’s complete recordings for Decca,Philips, Westminster and Decca/RCA.
• Including bonus disc of rehearsal material never before released, from producer Christopher Raeburn’s archives (courtesy of the British Library) – including
Daphnis et Chlo? and Beethoven Symphonies Nos. 3& 9.
• Includes the first international CD release of a Ravel disc conducted by Claude Monteux – Pierre’s son.