Pink Floyd Naniwa Natural Dark In Osaka

Obscured by Clouds is the seventh studio album by the English progressive rock band Pink Floyd, based on their soundtrack for the French film La Vallée, by Barbet Schroeder. It was released in the United Kingdom on 2 June 1972, and a few weeks later in the United States, by Harvest Records, reaching number 6 and number 46 respectively.

David Palmer (Jethro Tull) conducts the Royal Philharmonic Orchestra in a number of works by Pink Floyd, including their vivid work of "The Wall". Recorded January-April 1989 at C.T.S. Wembley, Middlesex; Lansdowne Studios, London; Jacobs Studios, Farnham, Surrey.

Ex-October Project singer Mary Fahl undertakes the audacious feat of remaking Pink Floyd’s signature album and, against all odds, manages to pull it off convincingly. Her success is due in large part to her remarkable contralto voice, an instrument of near-operatic power. Beyond this, she possesses the imagination to find renewed meaning in Dark Side of the Moon’s bleak vision of humanity, savoring its mordant humor and drawing out the torment buried within its cynicism.

Dwell Records specializes in the nexus point where grunge, noise, psychedelia, and, most importantly, metal meet. Fitting then that they would release this tribute comp to Syd Barrett, the madcap wonder boy who in the late '60s had a hand in inspiring all those genres. The collection features artists who run the metal gamut. Stoner legends Pentagram deliver a dynamic "Flaming" while trance-metallers Jesu drive "Chapter 24" deeper into the cosmos than Pink Floyd ever did. Prog-metal kings Yakuza tackle "Lucifer Sam" while noisy underground dwellers Stinking Lizavetta lay a guitar-heavy "Matilda Mother." Some versions are better than others, but taken as a whole LIKE BLACK HOLES IN THE SKY proves the modern reach of Barrett's vision and the breadth of his songwriting.

Creating an album is one thing in itself, but to write your own follow-up to Pink Floyd’s gastronomically-huge Dark Side Of The Moon? Now that’s something altogether different.

1995 album by the group Zodiac Blue. Intended by song writer Jess Halpern as a response to Pink Floyd's album Dark Side of the Moon, but with a positive slant to counter the original's somewhat depressed mood. The makeup of the album is very similar to Dark Side, in the way it keeps a central theme (enjoying life) running through all the songs, and using voiceovers and sound effects to help convey the meaning behind the songs. Also, the structure of the album is very similar - both albums open with a track of sound effects (Speak to me, Rise), then continue with a vocal track which is later reprised (Breathe, Dream), and also feature a song about money in the middle (Money, Credit).