Chris MacDonald releases music under the name Telomere. MacDonald’s primary instrument is a Serge modular synthesizer (also called "The Mighty Serge" by fellow space-travellers Kevin Braheny and Michael Stearns), a now legendary piece of gear whose hallmark is its flexible programability and the resulting unique sounds. MacDonald is known for creating electronic deep space music.
His gifts shine through on his 1998 debut recording, Astral Currents. The music here almost has a bit of a Tangerine Dream feel in places, but then traces of 1970s Pink Floyd and Steve Roach happen to come out of this recordings as well. Astral Currents is a very warm recording, and one that is a truly a cult-classic among ambient music fans…
Chris MacDonald releases music under the name Telomere. MacDonald’s primary instrument is a Serge modular synthesizer (also called "The Mighty Serge" by fellow space-travellers Kevin Braheny and Michael Stearns), a now legendary piece of gear whose hallmark is its flexible programability and the resulting unique sounds. MacDonald is known for creating electronic deep space music.
His gifts shine through on his 1998 debut recording, Astral Currents. The music here almost has a bit of a Tangerine Dream feel in places, but then traces of 1970s Pink Floyd and Steve Roach happen to come out of this recordings as well. Astral Currents is a very warm recording, and one that is a truly a cult-classic among ambient music fans…
With Tangerine Dream's recorded output spread across close to 40 years of work, and a variety of record labels as well, a comprehensive overview of their output would be a behemoth of a box set. This two-disc collection of odds and rarities cannot even begin to approach those proportions, but still its journey hits many of the high points that one would hope to find, as it traces band mainstay Edgar Froese at least into the early 1990s. The set opens with a pair of cuts recorded by Froese's pre-Tangs band the Ones in 1967, a couple of darkly atmospheric psych rockers that are far removed from anything he would go on to create. These are followed by brutal live takes on the two-part "Ultima Thule" that marked the Tangs' debut single, but which highlight the new band's personal direction by borrowing much from period Pink Floyd…
Produced by former Pretty Things guitarist Dick Taylor, Hawkwind's first album was rightfully compared to Pink Floyd's early sound: an appealing conglomeration of hippie rock grooves and interplanetary guitar trips set to the phosphorescent wandering of Dik Mik's electronics and Nik Turner's cool sax playing. Hawkwind may not have been their most lucrative album, but it's where it all began. Hawkwind's initial galactic blues-rock sound is based on Dave Brock's guitar playing, rising smoke-like through the haze of lyrical space funk. The two opening tracks set the tone, with "The Reason Is" sinking in nicely to the mood of both Dave Brock's and John Harrison's guitar viscosity. After this, the real Hawkwind begins to emerge, as the eight-minute "Be Yourself" is delightfully plastered with echoed vocals and comic book ominousness, putting drummer Terry Ollis in the spotlight this time…
Monomyth stands for "thrilling instrumental soundscapes", a rollercoaster ride in which the listener can lose themselves. It is the sound of five people searching for their musical boundaries and then moving beyond them. Monomyth transports you to another world, a place that feels both new and familiar. In the ranks, we find five people from different creative and musical backgrounds. Monomyth’s music is a complete experience, a collective statement by five like-minded identities. The Monomyth sound contains all the ingredients of rock & roll, but in a totally unique way. The band wants to draw their audience into a trance, caused by shifting patterns, repetitions and drones. The result is a stirring brew with links to Pink Floyd, Hawkwind and Tool, but with the innovative force of modern techno and ambient. It is rock you can dance to and lose yourself in…
Self-awareness is a beautiful thing. Think about this for a moment. You’re a death metal band at the top of your game. Your last record, Hidden History of the Human Race was lauded to the genre’s loftier heights; transcending critical reception and launching the band’s name well past the limits of that said genre. What do you do? Well if you’re Blood Incantation (lucky you!), you do exactly whatever you desire. Naturally, that means this death metal juggernaut is prime to release a completely ambient record, purple smoke and airy mysticism…
Cosmograf is a progressive rock project lead by Robin Armstrong, a multi-instrumentalist musician from Waterlooville nr Portsmouth UK. The sound is rooted in 70s classic rock with a contemporary and progressive twist. Robin plays guitar, keyboards, bass and drums, sings, and records, producing himself and fellow collaborating musicians, in his home studio, 'The Trees', self built at the bottom of the garden. "The Man Left in Space" (2013) is a concept album exploring the themes of aspiration, achievement, and the failures that our quest sometimes brings. The 9 track progressive rock album draws on many past and contemporary influences in music, and takes a journey into the unknown to feed the imagination, and appetite of the listener of intelligent music. It features a number of special guests from the progressive rock community including Nick D’Virgilio (Spock’s Beard/Big Big Train), Dave Meros (Spock’s Beard), Matt Stevens, Greg Spawton (Big Big Train)…
German progressive rock band formed in Hannover in 1969. They took their name from H.G. Wells' "The Time Machine", and sci-fi elements feature in much of their music, particularly the mid-to-late 1970's concept albums…
For prolific British progressive rocker Steven Wilson, the two-CD set Grace for Drowning is his second official solo album, following 2008's Insurgentes. Recording under his own name, Wilson tends to fall somewhere between his popular Porcupine Tree group project and his ambient recordings as Bass Communion. Grace for Drowning's two discs are divided into one called Deform to Form a Star and another called Like Dust I Have Cleared from My Eye, both named after tracks on them. In the relatively sparse lyrics that Wilson sings with a calm, British-accented tenor, he seems melancholy at first, apparently suffering from the aftermath of a romantic breakup…