Pink Floyd The Massed Gadgets Of Hercules 1970 1974

Cardboard box including 28-paged booklet, 1972 US tour book replica and five double CDs, each in a unique, tri-fold carboard sleeve with unique catalog-numbers:

The purpose of this compilation was to gather all the sessions Pink Floyd made for the BBC radio. As the 1974 Wembley show was left aside, the whole thing fits in a 4-CD boxset (which is enough), including 7 sessions on the BBC Radio between 1967 and 1971, and a bonus of all the BBC TV sessions. The tracks are here in the best quality available now, many come from BBC master reels. They didn’t suffer any processing, only STC 11-68 was normalized because the sound was way too low; a few sessions have been edited for track splitting. The shows are presented by John Peel (except Dec. 2, 1968 and May 12, 1969)

Unlike almost any of their peers, Pink Floyd played to both sides of the aisle: they were rooted in the blues but their heart belonged to the future, a dichotomy that made them a quintessentially modern 20th century band. That blues influence, quickly sublimated and only surfacing on the occasional Gilmour guitar solo, was the foundation for the band's very name, as the group decided to splice the names of two old bluesmen – Pink Anderson and Floyd Council – as a tribute to the American music they loved so. These members of the early Floyd – guitarist/singer Syd Barrett, bassist Roger Waters, keyboardist Rick Wright, and drummer Nick Mason – were all architecture students at London Polytechnic, with the exception of Barrett, who was an art student and a friend of Waters since childhood. This version of the band started gigging regularly in 1965, with Barrett becoming the group's lead singer quite quickly. During this time, the group relied on blues and R&B covers, not unlike many of their British peers, but they wound up extending the time of their sets through extended instrumental jams, planting the seeds of space rock that would come to fruition not much later. During 1966, the group's increasingly adventurous sets became something of a sensation in the London underground, leading to a contract with EMI early in 1967.