Pink Floyd Animals Remaster 2011

Animals is the tenth studio album by English progressive rock group Pink Floyd, released in January 1977. A concept album, it provides a scathing critique of the social-political conditions of late 1970s Britain, and presents a marked change in musical style from their earlier work. Animals was recorded at the band's studio, Britannia Row, in London, but its production was punctuated by the early signs of discord that several years later would culminate in keyboardist Richard Wright leaving the band. The album's cover image, a pig floating between two chimneys on Battersea Power Station, was conceived by bassist and writer Roger Waters, and photographed by long-time collaborators Hipgnosis. The album was released to generally positive reviews in the United Kingdom, where it reached number 2. It was also a success in the United States, reaching number 3 on the Billboard 200, and although it scored on the American charts for only six months, steady sales have resulted in its certification by the RIAA at four times platinum.

EMI's Immersion Edition of The Wall offers a new remaster of the original album, a remaster of the previously released concert album Is There Anybody Out There: The Wall Live, a DVD containing a documentary among other visual highlights and, finally, two discs of demos from the band and the album's chief songwriter, Roger Waters…

Pablo Honey in no way was adequate preparation for its epic, sprawling follow-up, The Bends. Building from the sweeping, three-guitar attackRadiohead that punctuated the best moments of Pablo Honey, Radiohead create a grand and forceful sound that nevertheless resonates with anguish and despair – it's cerebral anthemic rock. Occasionally, the album displays its influences, whether it's U2, Pink Floyd, R.E.M., or the Pixies, but Radiohead turn clichés inside out, making each song sound bracingly fresh. Thom Yorke's tortured lyrics give the album a melancholy undercurrent, as does the surging, textured music. But what makes The Bends so remarkable is that it marries such ambitious, and often challenging, instrumental soundscapes to songs that are at their cores hauntingly melodic and accessible. It makes the record compelling upon first listen, but it reveals new details with each listen, and soon it becomes apparent that with The Bends, Radiohead have reinvented anthemic rock.