Daniel Lopatin reclaims the uncanny sorcery of 'Garden of Delete' on 'Again', evanescing divergent styles into an unashamedly pompous roil of vapor-damaged harpsichord twangs, bombastic synth-prog workouts, damaged emo-pop, computer-controlled avant minimalism and fractal ambience. He's back.
BPM&M, an experimental exploration that involves remixing an assortment of aural documents created throughout the years by legendary group King Crimson, it's associates, and other sources from beyond. With an assortment of computers, this literal dynamic duo have somehow managed to modify their laptops into musical electrocardiogram machines and have output a display of techno heartbeats previously unknown to mankind. The grand result is one aluminum and plastic-based compact disc containing sounds of nuclear beats and jungles of drone, compiled in measures of time that will have patrons of raves dancing on walls and exchanging the left sides of their brains with the right.