Upon leaving UK, before reaching Asia, journeyman John Wetton released his first solo album, Caught in the Crossfire. Although a vocal doppelgänger of Greg Lake, as a songwriter Wetton was always more of a team player, so there was no occasion in Wetton's past work where you could say, "Aha, this is what he'd sound like on his own." And he is largely on his own here, handling vocals, bass, keyboards, and even guitar while writing all of the material (though Peter Sinfield does chip in on "Get What You Want"). The result is surprisingly good; Wetton is clearly more comfortable writing songs on the bass, but he fleshes them out nicely with keyboards, supported by Bad Company drummer Simon Kirke, embellished with the plaintive guitar leads of Jethro Tull's Martin Barre, and polished with a pair of saxophone solos from Malcolm Duncan.
Lord Sutch and Heavy Friends is the debut album of English rock singer Screaming Lord Sutch. Recording began in May 1969 at Mystic Studios in Hollywood and released on Cotillion Records in 1970. The album featured an all-star line-up with contributions from Led Zeppelin's Jimmy Page (who also produced the album) and John Bonham, guitarist Jeff Beck, session keyboardist Nicky Hopkins, session guitarist Deniel Edwards and Jimi Hendrix Experience bass-player Noel Redding…
Curated by frontman Pete Burns and drummer/keyboard player Steve Coy, the set comprises eight albums, three of which (Fan The Flame (Part 1), Nukleopatra and Fragile) receive their UK debut release via this set (with new cover art).The first four albums issued in the 1980s all feature here as two-CD sets, except 1985’s Stock Aitken Waterman produced Youthquake (which spawned the mega-hit You Spin Me Round (Like A Record) – which is a three-disc package. So this box delivers the original album track listings for each long-player, plus plenty of rarities, live recordings, alternate mixes and instrumental versions. In fact, it also contains 12 previously unreleased remixes and tracks from the band’s vaults. 1987 greatest hits album Rip It Up is also present and correct (as a two-CD set).
This is a great collection of Doo Wop tunes from back in the day! 587 tracks total. Lots of rare tunes from lots of groups. If you like Doo Wop and you don't have this series, you will want these. As I once read on a Doo Wop site, "Rock and Roll may be here to stay but Doo Wop never left". This series consists of 20 volumes and it is long out of print.
Luther Vandross was one of the most successful R&B artists of the 1980s and '90s. Not only did he score a series of multi-million-selling albums containing chart-topping hit singles and perform sold-out tours of the U.S. and around the world, but he also took charge of his music creatively, writing or co-writing most of his songs and arranging and producing his records. He also performed these functions for other artists, providing them with hits as well.
Gigantic eight record box, this comes the closest to documenting the wide breadth of blues recordings done by Sam Phillips at the Sun studios in Memphis during the early 50s. A landmark achievement.
This multi-disc set has most of the major blues classics of the late 1940's and 1950's that went on to spawn the rock era; from Ike Turner and Rocket 88 to Howlin' Wolf's best sides. Sam Phillips and Sun Records got every major player south of Chicago to record there sooner or later–and even some who had done work in Chicago came back to do work in the landmark Memphis studio (which is a GREAT tourist destination!).