Playing to Win Michael Lewis

The Painted Lady Suite, the debut album by the Michael Leonhart Orchestra (MLO) is inspired by the butterfly of the same name. While Leonhart was initially attracted to its flamboyant coloration and wing ornamentation, it was the butterfly’s incredible migration, which spans over six generations and 9,000 miles — twice that of the Monarch butterfly, that inspired the trumpeter/composer/bandleader to write his “Painted Lady Suite.”

Celebrate 40 years of huge hits with NOW That’s What I Call 40 Years – 100 tracks across 5 CDs - honouring the legacy with a selection of the best from 40 years of NOW. Take the journey from the first edition back in 1983, right up to the present day – making at least one stop at every year in between.

Anthony Braxton - The Complete Arista Recordings Of Anthony Braxton (2008) {8CD Set Mosaic MD8-242}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 2.46 Gb | MP3 @320 -> 1.29 Gb
Full Artwork @ 300 dpi (png) -> 376 Mb | 5% repair rar | 24-bit remaster
© 2008 Mosaic Records / Arista / Sony BMG | MD8-242
Jazz / Avant-Garde Jazz / Creative Orchestra / Experimental Big Band

Since he released the completely solo For Alto in 1968, the accepted image of Anthony Braxton has been that he is more a theoretician and art music composer than a jazz musician. Therefore, it might seem strange that Mosaic Records is giving his Complete Arista Recordings one of their fabled box set treatments. But Braxton is both – and much more. This set – as well as the original Arista recordings – were produced by Michael Cuscuna, Mosaic/Blue Note label head. The sheer scope of these recordings is staggering. What we get in this amazingly detailed collection is the weightiest argument yet for Braxton's range and depth of field as a musical thinker and his role as a pillar of modern jazz.

Michael: The last studio I worked in was a supertech palace in upstate New York and it was minus ten outside. So here I am in a shed with a sod roof, annoying wildlife and helicopters in the warmth of a Cornish spring and miles from my comfort zone. We are so different, the two of us: a perfectionist and a gambler, a planner and a chancer. We might need a referee. This record has been meticulously planned, but I haven’t even heard the songs. I like it that way. The precision and sophistication of the writing and playing blows me away. I am so glad to be involved.