Pleasure Campus: Secret Games (1980)

Jazz-Funk band Pleasure are Bruce Carter on drums, Sherman Davis and Randy Hall on vocals, Donald and Michael Hepburn on keyboards, Douglas Lewis on guitar and Nathaniel Phillips on bass. Guests are Pat Gleeson and Kashif on synthesizers, Pete Escovedo Jr. and Jimmy Maelen on percussion, plus background vocals. The album was first released in 1982 on RCA Records and produced by Robert Wright and Pleasure.

Even in the often strange and incestuous history of New Zealand rock, few bands enjoyed a more bizarre career than Mi-Sex; led by onetime cabaret singer Steve Gilpin, the group emerged from art-rock beginnings to later reinvent themselves in the style of the new wave.
In 1979 they issued their debut LP, Graffiti Crimes (Computer Games for the international release). A single, "Computer Games," topped the Australian charts, and the group made a triumphant return to New Zealand. A second album, 1980's Space Race, was also a hit, but when a planned American tour fell through, Mi-Sex's momentum took a serious blow; even at home, audiences were dwindling, and 1981's Shanghaied made little impact…

The most varied and accomplished of any synth pop debut, Yello's first album presents a few irresistible pop songs (the hit "Bostich," plus "Bimbo" and "Eternal Legs"), Boris Blank's synthesizer interpretations of several different forms of music ("Downtown Samba," "Bananas to the Beat," "Rock Stop," "Coast to Polka"), and even a three-song suite of atmospheric industrial music that functions as a miniature invisible soundtrack. The dark lyrical concerns and futurist electronics immediately lifted Yello above the rut of Kraftwerk imitators.

"Secret Lounge - Erotic Pleasure" delivers on 3 CDs erotically-tingling lounge music with over 40 gently mixed tracks. Sensual sounds combined with soft voices and lascivious chillout grooves create a feeling of goose bumps and not only make hot thoughts during the cold winter season. This compilation in the high-quality design impresses with the stylish and emotional music selection and not only delivers the perfect soundtrack for erotic hours together, but also gives every party an exclusive and intimate club atmosphere.

Generally regarded as Peter Gabriel's finest record, his third eponymous album finds him coming into his own, crafting an album that's artier, stronger, more song-oriented than before. Consider its ominous opener, the controlled menace of "Intruder." He's never found such a scary sound, yet it's a sexy scare, one that is undeniably alluring, and he keeps this going throughout the record…