This recording is the World Premiere of Charles Koechlin's Jungle Book and received the Orchestral Gramophone Award and was, memorably, accepted by the son of the composer. Charles Koechlin loved Rudyard Kipling's The Jungle Book and set different parts of the book to music at various points in his career. The first of these - The Three Poems - bear the titles: Seal Lullaby, Night Song in the Jungle and Song of Kala Nag, with texts from The Jungle Book. The music, scored during 1904 - 04, is exotic and evocative. The lullaby mimics the gently lapping of waves as the soprano and chorus spin a soothing tapestry of sound. The Night-Song in the Jungle had a cadence that suggests movement (sung by the soprano, tenor, baritone and chorus) and is a song of well-wishing to the animals of the night. The Song of Kala Nag is a lament of an elephant that has been tamed for his old life in the jungle, sung by the tenor. The poem describes a night in the year when all of the elephants gather to dance together and, rather than being somber, the music is triumphant as the elephant recounts his past freedom and vows to have it again.
What would singing be without words? When you combine wonderful poetry with exquisite music, the result is magical. In a rare break from the sacred collections they are famed for, this album from The Sixteen features a whole programme of secular music devoted to English partsongs. From Stanford’s cycle of Eight Partsongs based on the sparing yet infectious poetry of Mary Elizabeth Coleridge to Bridges’ lyrically descriptive writing in Finzi’s Seven Poems of Robert Bridges and Imogen Holst’s idyllic Six Part-Songs Welcome Joy and Welcome Sorrow using verses by John Keats, each setting captures the mood of the poem brilliantly.
In 'Songs from the Planet of Life,' composer Helge Iberg uses poems of the taoist tradition to shed light on the ecological situation. An impressive handful of soloists come together with The Norwegian Radio Orchestra for this touching musical reflection on the present state of the planet and humankind. Norway's biggest newspaper Aftenposten, describes the work as "Heavenly! Iberg's concept gave us a night we will never forget!" An all-night Concerto Grosso for five soloists, narrator and symphony orchestra; extensive, grand-scale and correspondingly powerful a new Das Lied von der Erde inspired by Gustav Mahler's iconic art piece. The piece consists of 9 movements. Vocal artist Sidsel Endresen narrates the poems together with LiuTiegang, actor and leader of The National Theater of China in Beijing. Elise Batnes's interpretation of Tale of Sorrowful Song is outstanding. Christian Ihle Hadland's piano-playing is equally poignant in Lotus Dance, while Marianne Beate Kielland and Frank Havroy spellbind us in Long Autumn Night contrasted by Tom Ottar Andreassen's alto flute, all safely guided by conductor Kai Grinde Myrann.