"Anti-Matter Poetry" may not be a creation that will inspire those in search of the new Yes or Genesis, but if you appreciate an artist using and utilizing modern stylistic details and taking cues from the current scene and applying them in an art rock setting this effort from German one man band T should be right up your alley. A fine and at times breathtaking album within this specific musical universe.
In February 2010, the late, legendary musician, poet and author Gil Scott-Heron released his thirteenth, and last, studio album. First conceptualised in 2005, and ultimately produced by XL Recordings head Richard Russell during New York recording sessions that commenced in January 2008, I'm New Here was Scott-Heron's first album in thirteen years and found him sounding as vital, boundary-pushing and insightful as ever before.
"Around Gus" is a title full of eloquence: it is of course a tribute, but not an usual one: talent is more than necessary to salute Gus Viseur in one phrase: the Django Reinhardt of the Accordion. A little bit shy, Marcel Loeffler has realized an incredible album full of radiance, and poetry including not only Viseur's compositions but also original works. Marcel Loeffler has also lived the accordion return in Jazz, the famous "Jazz Musette" after a couple of years of purgatory. He has been one of the first musicians to bring it back to swing with his partners, his gypsy "family", the one of Biréli Lagrène, Mandino Reinhardt, Yorgui Loeffler among others. Interpreting Viseur with an incredible authority, the one of a peaceful genious, a great distiller of poetry, it is Marcel Loeffler trademark. Far away from the usual interpretation, devoid of soul and which used to combine the Accordion with submachines full of notes.