Jethro Tull's 11th studio album, Heavy Horses, is one of their prettier records, a veritable celebration of English folk music chock-full of gorgeous melodies, briskly played acoustic guitars and mandolins, and Ian Anderson's lilting flute backed by the group in top form. This record is a fairly close cousin to 1977's Songs from the Wood – and was ultimately the hinge-piece and first of an ecologically themed trilogy which concluded with 1979's Stormwatch – except that its songs are decidedly more passionate, delivered with a rough, robust energy that much of Tull's work since Thick as a Brick had been missing. In its lustiness it arguably surpasses even Aqualung. "No Lullaby" is the signature heavy riff song, a concert version of which opened Bursting Out: Jethro Tull Live recorded that same year. Anderson sings it – and everything else here – with tremendous intensity, as though these might be the last lines he ever gets to voice.
Recorded at "The Secret Policeman's Other Ball" - The 1981 Amnesty International Gala, at The Theatre Royal, Drury Lane, London on 9th, 10th, 11th & 12th september 1981. The show was very influential in galvanizing rock musicians to become involved in the human rights issue and in other political and social causes in subsequent decades. Musicians who performed at the show who subsequently became activists in various fields include Sting, Bob Geldof, Eric Clapton, Phil Collins and Midge Ure.
Legendary singer-songwriter Leonard Cohen died on November 7, 2016, one day before the 2016 Presidential Election, but the world didn’t find out for several days after. On January 24, 2017 (shortly after the inauguration of Donald Trump and the succeeding Women’s March), New York City finally paid tribute to the Poet Prince of Montréal with a concert featuring dozens of singers, songwriters and musicians, including Richard Thompson, Josh Ritter, Will Sheff (Okkervil River), Amy Helm, Lee Ranaldo (Sonic Youth), Lenny Kaye (Patti Smith Group), Elvis Perkins, Holly Miranda, Joan As Police Woman, Delicate Steve, and many more. It was an evening the Village Voice called “a loving, thoughtful tribute to Cohen’s life in music and poetry.” The live album features highlight performances from this nearly three-hour marathon concert, which the Voice also hailed as a “carefully constructed, expertly structured production.”