Piet Blank and Jaspa Jones - the producers known worldwide. For two they have let out already many albums and tens magnificent singles, reliably having fixed in world history of dancing music. Their hits more than once appeared at tops of charts, and each new album stably got to number 50 of the best to Germany. The first release which has left in 2003 of an album "Relax: Edition One" to a descent has occupied 22 place in charts of Germany, and a chill-miss the version of track Pet Shop Boys "Love Comes Quickly" from this album became the present hit.
Colleen ‘Cosmo’ Murphy is a highly respected and experienced musical selector and curator, founder of the album listening event and content hub Classic Album Sundays and an authority on music, sound and the vinyl renaissance. She was mentored by David Mancuso at his seminal Loft parties in New York City. Together they co-produced the compilation series David Mancuso Presents The Loft and worked together on David’s record label The Loft Audiophile Library of Music. In 2000, David told Time Out New York City “ She is very devoted and very pure about the music. She’s one of the only people I would trust, both with the music and with the equipment, to fill in for me.” She is one of the musical hosts at The Loft, the co-founder of the Lucky Cloud Loft parties in London and DJs internationally on the world’s best sound systems and dance floors.
The notes for this CD ask, "What issue is more topical than the Brazilian rain forest? So what reissue would be more topical than Walter Wanderley's Rain Forest?" Politically, this may be true, but musically, this collection is anything but topical. From the first tune - the monster hit "Summer Samba," the listener is catapulted straight back to the '60s when bossa nova was new in the U.S. and everyone wanted a piece of it. Organist Wanderley made a big splash with this CD, which went platinum in two years - and it does evoke strong water images, like "poolside" and "ice skating rink." The jazzmen are underutilized, since most of the tracks are less than three minutes long and leave little room to stretch out. One exception is the pretty Ferreira/Marconi ballad "Rain," the only track where Wanderley plays piano rather than organ and which features a fine solo by Urbie Green on trombone…
The remix collection that complements Original Jam Sessions 1969 has a handful of stunners, with the rest of the tracks being groovy enough, if only because of Bill Cosby and Quincy Jones' original recordings. Herbert mucks everything up on his track, making Quincy's band sound both death metal and amusement-park carousel. Cornershop relate the wacka-wacka guitar to the sitar in their mix, while Bedrock and Said Mrad both take the deep and creeping noir route with great results. Mix Master Mike and Cosby's rap on "Hikky-Burr" sound like a match made in funk heaven, but the turntable master doesn't do much more than scratch over the original track. Everything else is more pleasing than memorable, with few of the remixers willing to really mess with master Quincy's groove…