Pop

Three CDs. Four-hour anthology of recordings that anticipated the late 70s Power Pop movement. Featuring Badfinger, Slade, The Move, Stealers Wheel, Pilot, Dave Edmunds, Brinsley Schwarz, Honeybus, The Kinks, The Who, etc. While the early 70s musical landscape in Britain was largely dominated by introspective singer/songwriters, Bubblegum Pop and underground Rock bands, a handful of acts bravely continued to pursue the classic mid-60s group sound. With the aid of increasingly sophisticated recording studios, they majored in crisp, muscular, hook-laden three-minute pop songs, bursting with chiming Rickenbacker guitars, irresistible choruses and Beatles/Beach Boys-inspired close harmonies. A few (Slade, Pilot, the ill-starred Badfinger) found commercial success, but the likes of Starry Eyed And Laughing, Shape Of The Rain and Octopus proved to be the right bands at the wrong time - too late for the British Invasion that had swept America in the mid-60s, too early to hitch a ride on the late 70s Power Pop bandwagon.

Issued in 2020, ‘Bubblerock Is Here To Stay’ shone a spotlight on the lost and often murky world of early 70s British Pop, a scene largely controlled by old-fashioned, Denmark Street- based production/songwriting teams as the Rock world concentrated on the album market. Another four-hour 3CD set, ‘Bubblerock Is Here To Stay Volume Two’ treads the same neglected path to deliver more mouldy old dough from the era's backroom boys: crack songwriting teams (Cook/Greenaway, Carter/Lewis, Chinn/Chapman), hit-or-bust producers (Phil Wainman, Jonathan King), session singers (Tony Burrows, Sue And Sunny), and writers-turned-performers (Lynsey de Paul, Barry Blue, Phillip Goodhand- Tait).

Three CD set. 2022 instalment of Grapefruit's popular year-by-year overviews of the more melodic end of the early 70s UK progressive rock scene. A four-hour compilation featuring big hits, key album tracks, cult classics and rarities from 1973. 1973 was another significant year in British pop, with the recent arrival of glam inspiring many underground bands to adopt a more streamlined sound. That more song-based approach helped give the 1973 singles chart a new energy, with memorable 45s from Mott The Hoople, Manfred Mann's Earthband, Faces, Status Quo, Medicine Head and Nazareth.

This Dutch blues band was formed in the Hague around 1967, becoming a regular outfit from 1969. The early line-up included Bjorn Toll (vocals), John Lagrand (harmonica), Ted Oberg (guitar), Ruud Fransen (bass) and Niek Dijkhuys (drums) but although the name remained wholesale changes soon took place, bringing in a new singer, Nicko Christiansen, and new bass and drums, Peter Kleinjan and Beer Klaasse, the latter pair being swiftly replaced by Gerard Strutbaum and Cesar Zuiderwijk, while keyboard player Henk Smitskamp was added…

While this is not nearly as essential as some other Stax wax, it has a loose, raffish appeal and never falls into the murk of a boring super-session chopsfest. These guys were simply havin' fun with some standard soul/R&B covers (e.g. "What'd I Say," "Baby What You Want Me To Do") and some wide-open originals, kickin' back with some serious riffin'. Cropper proffers his usual intense, simplistic soloing, while King swoops and dives in a stringbending fury. The added plus is the silky smooth near-falsetto of Pop Staples, whose vocal on "Tupelo" is suitably eerie…