Sound Check 2 is the definitive audio test disc. Created in association with renowned record producer, engineer and musician Alan Parsons, it is available as a single CD or in a double CD case with built-in microphone and sound level meter, calibrated from -15dB to +12dB.When used in conjunction with its third octave tracks, SOUND CHECK 2 forms an instant system response analyser. It contains 99 tracks of practical material compiled as a result of careful research and investigation into the needs of studio engineers, audio technicians, serious audiophiles, record producers and musicians.The disc has been designed not only toтhelp assess the technical performance of a wide range of sound recording and reproduction equipment, but also to offer the very best available musical, vocal and effects sources for experimentation and demonstration.
It was designed to be a blockbuster and it was. Prior to Goodbye Yellow Brick Road, Elton John had hits – his second album, Elton John, went Top Ten in the U.S. and U.K., and he had smash singles in "Crocodile Rock" and "Daniel" – but this 1973 album was a statement of purpose spilling over two LPs, which was all the better to showcase every element of John's spangled personality…
Bach and other Baroque composers often transcribed their music for new instrumental combinations as needed under the press of a busy schedule, and performers like South African-born recorder player Stefan Temmingh have taken this fact as carte blanche to create arrangements of Bach's music as desired. You can make various arguments pro or con in connection with this practice, and the procedure here, going from keyboard works to ensemble pieces, is in some ways the most problematical. So what you think of Temmingh's disc may depend on where you come down on the larger question.
Back in the '70s, both Pat Travers and Carmine Appice were responsible for laying down the boogie – Travers as a leader of the Pat Travers Band, and Appice as a member of Cactus and Beck Bogert & Appice. Fast forward three decades later, and the duo has decided to combine their talents (along with session pro bassist T.M. Stevens), as Travers & Appice. Touring in support of a debut album with the title of It Takes a Lot of Balls, it shouldn't have come as a surprise that their shows were rift with testosterone-heavy rock (but with a bluesy feel). Less than a year after the arrival of their debut comes a concert set, 2005's Live at the House of Blues.
…He's a pleasure to listen to on a disc that will have the most appeal to those with an inclination toward speculative performance styles, and he is aided by total sonic clarity from the crack Oehms engineering team.