Power John W

Released as part of Apple/EMI’s extensive 2010 John Lennon remasters series, the single-disc Power to the People: The Hits covers familiar territory, but then again, that’s the point of this collection. It’s not designed to dig deep into John's catalog, it’s designed as the latest iteration of the canon, replacing 1997’s Lennon Legend, the last big-budget single-disc compilation. Power to the People is five cuts shorter than Lennon Legend, ditching album cuts “Love” and “Borrowed Time,” swapping the charting singles, “Mother” and “Nobody Told Me,” for the non-charting “Gimme Some Truth” and the actual number 18 hit “Mind Games,” but the end result is the same: Power to the People feels interchangeable with its predecessors because it is another collection with “Imagine,” “Instant Karma,” “Whatever Gets You Through the Night,” “Jealous Guy,” “(Just Like) Starting Over,” “Watching the Wheels,” “Stand by Me,” “#9 Dream,” “Give Peace a Chance,” “Power to the People,” and “Happy Xmas (War Is Over).” The remasters are excellent so if you are in need of a tight Lennon comp this is a good choice but if you already have a hits collection, there’s no reason to replace it.

Sitting atop the charts in 1975, Elton John and Bernie Taupin recalled their rise to power in Captain Fantastic and the Brown Dirt Cowboy, their first explicitly conceptual effort since Tumbleweed Connection. It's no coincidence that it's their best album since then, showcasing each at the peak of his power, as John crafts supple, elastic, versatile pop and Taupin's inscrutable wordplay is evocative, even moving…

Both John Hicks and Frank Morgan passed away shortly after making the recordings gathered here: pianist Hicks in May 2006 and alto saxophonist Morgan in December 2007. They had both spent the preceding decades living very different lives: Morgan, as is well known within the jazz community, was a heroin addict to whom incarceration was no stranger. He disappeared from the scene for an interminably long 30 years before finding his way back from his problems and into the music world in 1985. Hicks, meanwhile, was prolific throughout his multi-decade career, recording many albums as a leader and working alongside many of the genre's greats as a sideman. This set of seven tracks does not consist entirely of duets: Morgan appears on only four of them and Hicks plays solo piano on the others (there are no other musicians involved)…

Night in The Vapor Jungle (1999). With this follow-up to his first release Mysterious Motions of Memory, visionary artist John Flomer returns to his magical palette to draw forth deep, introspective, at times almost dangerous, ineffable melodies beckoning the listener to the resting place of scattered passions and forgotten ideals, waiting to be rediscovered and set free. Dark and moody piano textures enchant, ethereal symphonies of sound envelop, and pulses of rhythmic vibrations conjure patterns like constellations of stars in yet another ingenious and creative work by a composer unlike any other today…

It was designed to be a blockbuster and it was. Prior to Goodbye Yellow Brick Road, Elton John had hits – his second album, Elton John, went Top Ten in the U.S. and U.K., and he had smash singles in "Crocodile Rock" and "Daniel" – but this 1973 album was a statement of purpose spilling over two LPs, which was all the better to showcase every element of John's spangled personality…

The vast majority of Brazilian-born pianist Arnaldo Cohen's discography is devoted to the music of Franz Liszt. There is good reason for this; his technique and approach to the instrument seem especially suited for the demands Liszt makes of pianists, from extreme subtlety and introspection to the bravura, ostentatious displays of power and virtuosity. Cohen delivers all of this with remarkable clarity.