Power Play (2003)

Recorded at the last stop on their 2002 tour, Alive in Seattle documents an impeccable performance and production, mixed for surround-sound playback on both regular and Super Audio CD formats. A warm artist/audience vibe permeates this set; it's easy to imagine families sprawled out on an amphitheater lawn, taking in the music on an early summer evening…

For prog fans the first album "Time" is highly recommended for listening. It is one of the best debuts in the former Yugoslavian rock scene and it influenced many generations of musicians.

Coming a year after Six Degrees of Inner Turbulence, it's great to hear that Dream Theater hadn't lost their überheavy edge. John Petrucci, Mike Portnoy, Jordan Rudess, and bassist John Myung effectively peeled back the pretentious excesses of Six Degrees, turned them in on themselves, and came up with a leaner, meaner but no less ambitious outing…

Jools Hollans's highly succeful Rhythm and Blues Orchestra truly come into their absolute own on this DVD. Jools and the Orchestra do all manner of big band styles; they can play the blues with B.B. King, boogie woogie with Robert Plant, get soulful with Solomon Burke or swing Sinatra-style with Huey from the Fun LOvin' Criminals. Now thanks to this DVD, you can pour yourself a drink, surround yourself with the cream of British celebrity and sing along to some of the greatest songs in pop music anytime you like. Ladies and gentlemen, Let's Party!

For years, Led Zeppelin fans complained that there was one missing item in the group's catalog: a good live album. It's not that there weren't live albums to be had. The Song Remains the Same, of course, was a soundtrack of a live performance, but it was a choppy, uneven performance, lacking the majesty of the group at its peak. BBC Sessions was an excellent, comprehensive double-disc set of their live radio sessions, necessary for any Zeppelin collection (particularly because it contained three songs, all covers, never recorded anywhere else), but some carped that the music suffered from not being taped in front of a large audience, which is how they built their legacy - or, in the parlance of this triple-disc collection of previously unreleased live recordings compiled by Jimmy Page, How the West Was Won. The West in this case is the West Coast of California, since this contains selections from two 1972 concerts in Los Angeles…

For a band whose useful lifespan ran to nine albums, 10cc have been oddly represented by the compilations market. Their first two albums, of course, have been reissued and rejigged in virtually every conceivable permutation; the next four have at least been bled for the hits on a near-annual basis. But a super-rare Japanese four-CD box set notwithstanding, no attempt has ever been made to truly illustrate the band's entire career, from "Donna" to demise. Welcome, then, The Ultimate Collection, which not only does a fine job in unearthing all you need to know about those nine original albums, it also splits the discs in such a way that the first one gives you all the hits you remember, while the second serves up the songs that you very likely missed altogether.

Thirty seconds into "I Love You," the first track off of Shine, Daniel Lanois' warm, watery guitar signature is already unmistakable, even before his voice entwines ecstatically with Emmylou Harris'. Shine is the third Lanois album to appear under his own name, and his first in a decade. What is immediately startling about Shine is how spare it is. There is a plethora of sounds and textures to be sure, but they are suspended in space, looking not outside to communicate but toward the heart as a mirror, as if to make certain that the music played is not necessarily accurate but is true. Folk, country, blues, psychedelia, and atmosphere are wound together into an inseparable knot. Lanois played almost all of the instruments here, with the exception of drums, handled by Brian Blade and occasionally his brother, Brady. Other musicians, such as longtime musical collaborator Malcolm Burn and bassist Darryl Johnson, make appearances.

Thirty seconds into "I Love You," the first track off of Shine, Daniel Lanois' warm, watery guitar signature is already unmistakable, even before his voice entwines ecstatically with Emmylou Harris'. Shine is the third Lanois album to appear under his own name, and his first in a decade. What is immediately startling about Shine is how spare it is. There is a plethora of sounds and textures to be sure, but they are suspended in space, looking not outside to communicate but toward the heart as a mirror, as if to make certain that the music played is not necessarily accurate but is true. Folk, country, blues, psychedelia, and atmosphere are wound together into an inseparable knot. Lanois played almost all of the instruments here, with the exception of drums, handled by Brian Blade and occasionally his brother, Brady. Other musicians, such as longtime musical collaborator Malcolm Burn and bassist Darryl Johnson, make appearances.