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Ian Gillan's final solo outing before his second comeback with Deep Purple is possibly the singer's most rocking solo collection. Originally a European release, Toolbox finally appeared in North American record stores in 1997. The disc is hampered by its '80s production (complete with faux-Van Halen guitar licks and big reverb drum sounds) but Gillan's personality and dynamic performances preserve Toolbox's sharp rock & roll edge. Tracks like "Candy Horizon" and "Don't Hold Me Back" have more than their share of questionable lyrics, but Gillan's trademark screams easily overshadow any poetic shortcomings. Nothing can compare to the classic recordings Gillan was involved with in the early '70s, but among his second-tier offerings, Toolbox is definitely one of the best.

Ian Gillan was one of the foremost vocalists of the heavy metal style of rock that emerged in the 1970s, earning his greatest renown as a member of Deep Purple, though he also led bands named after himself…

After seven albums, Chris Rea was finally beginning to get the hang of what makes a commercial success. He had not changed his style throughout the 1980s, but now it was 1985 and the synth pop sounds and new romantics were both long gone – and in their place were stadium-filling anthemic rock or power ballads. Shamrock Diaries was a mix of soft ballads like "Chisel Hill" and "One Golden Rule" along with saxophone-led uptempo numbers such as the title track and the feel-good song of the summer, "All Summer Long," which would have made an ideal single had Magnet decided to release it.

At this point in his career, Ian Gillan really has nothing to prove to anyone in the rock world. He's created one of the most successful bands in the history of rock & roll, and has aged with a grace and class few of his contemporaries can rival. So it makes sense that Gillan's Inn is a relaxed affair and offers up a simple set of rock & roll without pretense or a bloated concept. Taking a cue from Santana's latest releases, a nonstop onslaught of guest appearances fills the rooms of Gillan's Inn, including Def Leppard's Joe Elliott, Joe Satriani, Roger Glover, Steve Morse, Jeff Healey, Uli John Roth, Ronnie James Dio, and Goo Goo Dolls pinup boy Johnny Rzeznik. The result is a 14-song session that's as much inoffensive fun as it is straight-ahead blues-tinged rock & roll.

By this time, Freddie Mercury had already taken sick and the band stopped touring and so decided to put all their energies into a great studio album and this was the result. Very polished with a lot more production elements than you usually get from a Queen album but the result is in hindsight a very good album indeed.

Ian Gillan is an English rock music vocalist and songwriter, best known as the lead singer and lyricist for Deep Purple. THe album has a inf your face sound, it's highly energetic, it has punch, a tight band, with guitarist Steve Morris, bassist Leonard Haze. Very good hard rocking album.

Three-quarters of Sade's back-up band make their album debut under the moniker Sweetback (as in Sweet Sweetback's Baadasssss Song, Melvin Van Peebles' 1971 trend-setting film). But whereas the svelte chanteuse makes music that suggests upper-crust, non-smoking jazz clubs, Sweetback's music is more "underground" in tone…

After two LPs with little or no energy, Sade demonstrated some intensity and fire on her third release. Whether that was just an attempt to change the pace a bit or a genuine new direction, she had more animation in her delivery on such songs as "Haunt Me," "Give It Up," and the hit "Paradise." Not that she was suddenly singing in a soulful or bluesy manner; rather, Sade's dry and introspective tone now had a little more edge, and the lyrics were ironic as well as reflective. This was her third consecutive multi-platinum album, and it matched the two-million-plus sales level of her debut. ~ Ron Wynn

Original pressing MONO. There are no "traditional" Christmas songs here, these are all originals. Feel free to play it for a nice break from the ordinary.

Contraband was a short-lived supergroup/side project that included members of several famous rock bands from the 1980s, such as Shark Island, Michael Schenker Group, Ratt, L.A. Guns, and Vixen.