Primitive Knot

This set documents over three decades of exceptional artistry by Sir Colin Davis, one of the musical pillars of the Philips label, who died on Sunday 14th April 2013. He was a musician of incomparable integrity and class.
After signing to Philips exclusively in the mid-1960s, Davis produced work for the label of the highest quality and range over the next three decades: the first Berlioz cycle , pioneering Tippett, superb Haydn and Mozart, top-rank Sibelius, Beethoven, Stravinsky, Dvorak and Britten, and much else.

The Faux Frenchmen are acoustic guitarists Brian Lovely and George Cunningham, acoustic bassist Don Aren, and violinist Paul Patterson. They’ve played Hot Club-driven gypsy jazz in and around Cincinnati and the Eastern and Midwestern U.S. since 2002. Guitarist Django Reinhardt and violinist Stephane Grappelli fronted the Quintette of the Hot Club of France in and around Paris from 1934 to 1939, and constituted the first generation of European jazz musicians. The Hot Club blended backgrounds in traditional gypsy and European popular and classical music with the then-new sounds of American jazz artists like Duke Ellington, Fats Waller, Benny Goodman and Louis Armstrong to create a new musical genre, now often called “gypsy jazz.”…

This is the debut solo album from former (unique Kendal foursome) Wild Beasts frontman Hayden Thorpe. Written in California, Cornwall and at home in London. The reincarnation of Hayden Thorpe was recorded with Leo Abrahams (Brian Eno/David Byrne) at Hayden’s London home and at Leo’s Cornish studio. Portentous piano announces the Hayden Thorpe album. The easy dulcet tones which are at times cool, calm and collected but can so easily climb to a mercurial falsetto. Emotive and passionate tones are evocative of sadness, time passing and peaceful acceptance.

Deliquescence is a 2XCD live album recorded in 2016/17, documenting the final Swans tour of this configuration of the band. It shows the Swans live set generally as it stands now (though, as always, the set continues its transformation along the way as the tour progresses). It contains two (long) pieces that have never been, and never will be, recorded elsewhere. In addition it contains a lengthy, unfinished and discarded work in progress. As usual, the pre-existing material used in the live set is subject to constant revision/expansion.

The Talisman is the 7th ambient atmospheric space CD from Max Corbacho. Eleven compositions created between 2004 and 2006, based on new, on the edge, harmonic and textural explorations. Intense, light, dark and purely atmospheric, most of these songs were composed during various, long, deep meditative improvisation sessions.

The musical vortexes of Caterina Barbieri rewire time and space. Listening to the Italian composer and modular synth virtuoso has felt like traveling at light-speed and slow-motion all at once since 2017’s breakthrough doublealbum Patterns Of Consciousness. 2019’s acclaimed Ecstatic Computation pushed even further with the lead single “Fantas”, where a haunting melody hurtling towards its supernova climax felt like witnessing the life and death of a burning star. Far beyond any new age trope or modern synth trend, her music stands alone in its ecstatic intensity and cataclysmic emotional impact. Marking the debut album on her new label light-years, Barbieri now delivers her most profound work yet — a journey through inner-space as vast as a universe and as intimate as a heartbeat. The Spirit Exit opens and we fall in.