Professional Beauty December 2019

Volume 2 of Discovering the Classical String Trio is a continuation of The Vivaldi Project's exploration of the 18th-century string trio, of its relationship to the earlier Baroque trio sonata (as exemplified by Vivaldi and contemporaries) and of its role as an important genre in its own right, side-by-side with the emerging string quartet. The string trio, although largely overlooked during the past century, was manifestly popular in its day at its compositional peak (c. 1760-1770) out-publishing the string quartet by a ratio of more than five to one! These forgotten works, some 2000 string trios by more than 200 composers, reveal not only a wonderful amalgam of instrumental techniques and styles, but also a significant, untold part of chamber music history.

This is the second instalment in our series devoted to Tchaikovsky’s three great ballets. The first recording, of The Sleeping Beauty, was praised upon its release, described by a reviewer in American Record Guide as ‘one of the finest I’ve heard’. Here Neeme Järvi and the Bergen Philharmonic Orchestra present the complete version of Swan Lake, with the pre-eminent James Ehnes lending his magic to the violin solos. This was Tchaikovsky’s first full-length ballet, but its premiere in 1877, staged at Moscow’s Bolshoy Theatre, was by no means a resounding success. According to most accounts, the choreography was inept, the shabby sets and costumes were borrowed from other productions, and the orchestral playing was poor. Most ballet companies today base their productions on the 1895 revival by the distinguished choreographer Marius Petipa. Although this revival has been seen as more ‘danceable’, one may argue that the overall cuts and reordering ultimately destroyed Tchaikovsky’s ground plan of drama and tonality. Here we present Tchaikovsky’s original Bolshoy score of twenty-nine numbers across four acts, along with two supplementary numbers which Tchaikovsky provided not long after the premiere.