Prog Concert

New expanded 2cd edition of the 1972 album by stackridge. With 12 additional bonus tracks including a previously unreleased performance recorded for bbc radio one in concert in june 1972.

Aside from being a fine act on record, Renaissance were also a marvellous live band, featuring the sublime vocals of singer Annie Haslam. Although Esoteric's expanded Renaissance re-issues featured BBC recordings, this set comprises material previously omitted from these releases. 'Can You Hear Me: Broadcasts 1974-1978' includes the stereo radio version of the band's 1977 BBC Sight & Sound In Concert performance (recently discovered in the archives and issued on CD for the first time) and a previously unreleased performance for BBC Radio's In Concert from October 1978, both newly remastered from the BBC masters. Also included is a region free video Blu Ray disc which features the band's appearance on the Swiss TV show Kaleidospop from 1974 (previously unreleased), the complete 1977 BBC TV Sight & Sound In Concert performance & a performance of Northern Lights from BBC TV's Top of the Pops show. 'Can You Hear Me: Broadcasts 1974-1978' is a collection of wonderful live performances by Renaissance and is an essential addition to their fine body of work.

Aside from being a fine act on record, Renaissance were also a marvellous live band, featuring the sublime vocals of singer Annie Haslam. Although Esoteric's expanded Renaissance re-issues featured BBC recordings, this set comprises material previously omitted from these releases. 'Can You Hear Me: Broadcasts 1974-1978' includes the stereo radio version of the band's 1977 BBC Sight & Sound In Concert performance (recently discovered in the archives and issued on CD for the first time) and a previously unreleased performance for BBC Radio's In Concert from October 1978, both newly remastered from the BBC masters. Also included is a region free video Blu Ray disc which features the band's appearance on the Swiss TV show Kaleidospop from 1974 (previously unreleased), the complete 1977 BBC TV Sight & Sound In Concert performance & a performance of Northern Lights from BBC TV's Top of the Pops show. 'Can You Hear Me: Broadcasts 1974-1978' is a collection of wonderful live performances by Renaissance and is an essential addition to their fine body of work.

After independently leaving The Spencer Davis Group in late 1968, organist and singer Eddie Hardin and drummer Pete York got back together a few months later to work as that most intriguing of late Sixties rock music concepts: the power duo.
Self-described as “the world's smallest big band”, Hardin & York's two-man brand of rock, blues, jazz and soul – not a million miles away from the likes of Traffic or Procol Harum - was hugely popular on the Continent. Indeed, they had such a following in Germany that one show was surreptitiously taped, becoming one of the earliest European vinyl bootlegs when it was sneaked out in 1970.
Naturally enough, that live set is included on our definitive 6-CD anthology, together with further live performances (including a 1972 show for the BBC now gaining its first-ever commercial release), their trio of 1969-71 albums, various studio out-takes and even a non-UK 1974 reunion LP that was recorded with former Taste bassist Charlie McCracken. A 6-CD package, Can't Keep A Good Man Down is the final word on one of the most intriguing musical partnerships of the late Sixties/early Seventies. Housed in a stylish clamshell box, it includes a 24-page booklet with rare photos, a new 4000 word essay on the duo as well as a scene-setting foreword by Pete York.

After independently leaving The Spencer Davis Group in late 1968, organist and singer Eddie Hardin and drummer Pete York got back together a few months later to work as that most intriguing of late Sixties rock music concepts: the power duo.
Self-described as “the world's smallest big band”, Hardin & York's two-man brand of rock, blues, jazz and soul – not a million miles away from the likes of Traffic or Procol Harum - was hugely popular on the Continent. Indeed, they had such a following in Germany that one show was surreptitiously taped, becoming one of the earliest European vinyl bootlegs when it was sneaked out in 1970.
Naturally enough, that live set is included on our definitive 6-CD anthology, together with further live performances (including a 1972 show for the BBC now gaining its first-ever commercial release), their trio of 1969-71 albums, various studio out-takes and even a non-UK 1974 reunion LP that was recorded with former Taste bassist Charlie McCracken. A 6-CD package, Can't Keep A Good Man Down is the final word on one of the most intriguing musical partnerships of the late Sixties/early Seventies. Housed in a stylish clamshell box, it includes a 24-page booklet with rare photos, a new 4000 word essay on the duo as well as a scene-setting foreword by Pete York.

After independently leaving The Spencer Davis Group in late 1968, organist and singer Eddie Hardin and drummer Pete York got back together a few months later to work as that most intriguing of late Sixties rock music concepts: the power duo.
Self-described as “the world's smallest big band”, Hardin & York's two-man brand of rock, blues, jazz and soul – not a million miles away from the likes of Traffic or Procol Harum - was hugely popular on the Continent. Indeed, they had such a following in Germany that one show was surreptitiously taped, becoming one of the earliest European vinyl bootlegs when it was sneaked out in 1970.
Naturally enough, that live set is included on our definitive 6-CD anthology, together with further live performances (including a 1972 show for the BBC now gaining its first-ever commercial release), their trio of 1969-71 albums, various studio out-takes and even a non-UK 1974 reunion LP that was recorded with former Taste bassist Charlie McCracken. A 6-CD package, Can't Keep A Good Man Down is the final word on one of the most intriguing musical partnerships of the late Sixties/early Seventies. Housed in a stylish clamshell box, it includes a 24-page booklet with rare photos, a new 4000 word essay on the duo as well as a scene-setting foreword by Pete York.

Recorded in the Autumn of 1975 at Abbey Road studios (with some sessions also taking place at AIR studios in London), ‘Sunburst Finish’ was the third album by Be Bop Deluxe and the first to feature the line-up of Bill Nelson (vocals, guitars, keyboards), Charlie Tumahai (bass, vocals), Andy Clark (keyboards) and Simon Fox (drums). It was also the first Be-Bop album to be co- produced by Nelson and John Leckie. An album of immense musical inventiveness and creativity, ‘Sunburst Finish’ was one of the finest albums of its era, a perfect cohesion of ten classic songs written by Nelson (featuring his highly imaginative guitar playing) and a stylised and striking artwork package. Including such classic tracks as ‘Heavenly Homes’, ‘Crying To The Sky’, ‘Sleep That Burns’, ‘Life In The Air Age’, ‘Crystal Gazing’ and ‘Blazing Apostles’, the album also spawned the hit single ‘Ships In The Night’ and launched Be-Bop Deluxe as one of the major breakthrough acts of 1976.

After independently leaving The Spencer Davis Group in late 1968, organist and singer Eddie Hardin and drummer Pete York got back together a few months later to work as that most intriguing of late Sixties rock music concepts: the power duo.
Self-described as “the world's smallest big band”, Hardin & York's two-man brand of rock, blues, jazz and soul – not a million miles away from the likes of Traffic or Procol Harum - was hugely popular on the Continent. Indeed, they had such a following in Germany that one show was surreptitiously taped, becoming one of the earliest European vinyl bootlegs when it was sneaked out in 1970.
Naturally enough, that live set is included on our definitive 6-CD anthology, together with further live performances (including a 1972 show for the BBC now gaining its first-ever commercial release), their trio of 1969-71 albums, various studio out-takes and even a non-UK 1974 reunion LP that was recorded with former Taste bassist Charlie McCracken. A 6-CD package, Can't Keep A Good Man Down is the final word on one of the most intriguing musical partnerships of the late Sixties/early Seventies. Housed in a stylish clamshell box, it includes a 24-page booklet with rare photos, a new 4000 word essay on the duo as well as a scene-setting foreword by Pete York.

A founder member of SOFT MACHINE, Kevin embarked on a solo career in 1969, signing to EMI’s Harvest label and recording the album ‘JOY OF A TOY’ the same year. It is a mark of Kevin’s stature that his recordings during this period would feature contributions from notable musicians such as arranger and keyboard player DAVID BEDFORD, ROBERT WYATT, SYD BARRETT, MIKE OLDFIELD, LOL COXHILL, STEVE HILLAGE, ARCHIE LEGGET and more. This boxed set includes all of the surviving BBC sessions and In Concert appearances recorded by Kevin during this period, including a previously unreleased John Peel concert from 1970 and other tracks featuring Soft Machine, Bridget St. John and Gong. Other highlights include the inclusion of a complete set recorded at a Hyde Park Free concert in 1970, newly mixed and restored by Stephen W Tayler, previously unreleased session out-takes and a segment from a 1972 concert and a performance at London’s Queen Elizabeth Hall in 1973. Rounding off the set is a region free Blu-ray video disc which includes a series of live performances recorded for French television, along with two sessions for The Old Grey Whistle Test in 1972 and 1973 (with three previous unseen alternate performances from 1972) and the ‘Caribbean Moon’ promotional film.