Prologue Kollobe

With Jean-Baptiste Stuck's Polydore, Gyorgy Vashegyi's directing talents alight once again on a French opera from the era between Lully and Rameau. Whist Louis XIV's reign was gradually drawing to a close, his nephew, duke Philippe d'Orleans - due to become regent for Louis XV on the death of the child's great-grandfather, the Sun King - was greatly expanding his own court cultural activities (within which he had a pronounced predilection for Italian music). The Tuscany-born, later-naturalized Frenchman, Giovanni Battista Stuck was a beneficiary of ducal and regental munificence and, given that taste for opera continued at full tilt in Paris after Louis XIV's death in 1715, Stuck was well-placed to prove his worth. His most highly regarded opera is Polydore, a 1720 tragedie en musique with a libretto confected by Simon-Joseph Pellegrin: a mythological tale of Greeks, Thracians and Trojans, interweaving war, family and love, with tragedy brewing up throughout the work.

Sémélé tragédie lyrique de Marin Marais
Glossa | 9 novembre 2007 | Classical | APE+CUE | 3% Recovery | 2CDs | 368+296 MB | Covers | 75'59"+61'27"

For this recording directing Le Concert Spirituel, Hervé Niquet has revived Sémélé by Marin Marais - the final opera by one of the leading composers from the reign of Louis XIV. Known for his compositions for viola da gamba, Marais was also the author of a number of tragédies lyriques which he wrote for the Académie royale de Musique.
However, only Alcyone has attracted any attention. Sémélé, first performed in 1709, has music to charm and seduce: a sparkling prologue honouring Bacchus, a set of arias with freshly-minted appeal, a marvellously inventive diabolical scene; all leading up to an earthquake scene that anticipates the later work of Rameau. For all lovers of baroque music, here is the opportunity to discover and enjoy a masterpiece which has lain in the shadows for the last three centuries.

With this original jackets’ box set Deutsche Grammophon concludes its series of 4 grand sets that present almost the totality of Herbert von Karajan’s output for the Yellow Label – and hence perhaps the most magnificent legacy in the history of recorded music. On 70 CDs “KARAJAN – THE OPERA RECORDINGS” features the 14 operas Karajan recorded for DGG – from “Carmen” to “Parsifal”, from “The Merry Widow” to “Rosenkavalier”, from Mozart to Puccini. And, of course, the complete “Ring”.