If anything, CCR's third album Green River represents the full flower of their classic sound initially essayed on its predecessor, Bayou Country. One of the differences between the two albums is that Green River is tighter, with none of the five-minute-plus jams that filled out both their debut and Bayou Country, but the true key to its success is a peak in John Fogerty's creativity. Although CCR had at least one cover on each album, they relied on Fogerty to crank out new material every month. He was writing so frequently that the craft became second-nature and he laid his emotions and fears bare, perhaps unintentionally.
If anything, CCR's third album Green River represents the full flower of their classic sound initially essayed on its predecessor, Bayou Country. One of the differences between the two albums is that Green River is tighter, with none of the five-minute-plus jams that filled out both their debut and Bayou Country, but the true key to its success is a peak in John Fogerty's creativity. Although CCR had at least one cover on each album, they relied on Fogerty to crank out new material every month. He was writing so frequently that the craft became second-nature and he laid his emotions and fears bare, perhaps unintentionally.
Chronicle, Vol. 1 contains every one of Creedence Clearwater Revival's original 19 hit singles – including "Proud Mary," "Bad Moon Rising," "Green River," "Down on the Corner," "Travelin' Band," "Up Around the Band," and "Have You Ever Seen the Rain" – plus "I Heard It Through the Grapevine," which became a hit at the same time this double-record compilation was released. The compact disc edition is hampered by the inclusion of the full-length, 11-minute album version of "I Heard It Through the Grapevine"; its presence slows down the momentum of the collection considerably. Chronicle, Vol. 2 effectively compiles all of the highlights from Creedence Clearwater Revival's career that weren't on the first volume. All of the singles were included on Chronicle, Vol. 1, so Chronicle, Vol. 2 is comprised solely of album tracks.
This mammoth three-disc U.K. compilation features 50 tracks from "classic rock" staples Creedence Clearwater Revival, including "Long as I Can See the Light," "Have You Ever Seen the Rain," "I Heard It Through the Grapevine," "Lodi," "Lookin' out My Back Door," and "Proud Mary." Listeners would be hard-pressed to find anything resembling a glaring omission here, as the compilers have done a fine job including every high point from the band's short but incredibly bountiful run, making this an excellent choice for the Creedence newbie.
Creedence Clearwater Revival was an American rock band active in the late 1960s and early 1970s which consisted of lead vocalist, lead guitarist, and primary songwriter John Fogerty; his brother rhythm guitarist Tom Fogerty; bassist Stu Cook; and drummer Doug Clifford. These members had played together since 1959, first as The Blue Velvets and later as The Golliwogs. Their musical style encompassed roots rock, swamp rock, and blues rock. They played in a Southern rock style, despite their San Francisco Bay Area origin, with lyrics about bayous, catfish, the Mississippi River, and other popular elements of Southern United States iconography, as well as political and socially conscious lyrics about topics including the Vietnam War.
This mammoth three-disc U.K. compilation features 50 tracks from "classic rock" staples Creedence Clearwater Revival, including "Long as I Can See the Light," "Have You Ever Seen the Rain," "I Heard It Through the Grapevine," "Lodi," "Lookin' out My Back Door," and "Proud Mary." Listeners would be hard-pressed to find anything resembling a glaring omission here, as the compilers have done a fine job including every high point from the band's short but incredibly bountiful run, making this an excellent choice for the Creedence newbie.
Released in the summer of 1968 – a year after the summer of love, but still in the thick of the Age of Aquarius - Creedence Clearwater Revival's self-titled debut album was gloriously out-of-step with the times, teeming with John Fogerty's Americana fascinations. While many of Fogerty's obsessions and CCR's signatures are in place – weird blues ("I Put a Spell on You"), Stax R&B (Wilson Pickett's "Ninety-Nine and a Half"), rockabilly ("Susie Q"), winding instrumental interplay, the swamp sound, and songs for "The Working Man" – the band was still finding their way. Out of all their records (discounting Mardi Gras), this is the one that sounds the most like its era, thanks to the wordless vocal harmonies toward the end of "Susie Q," the backward guitars on "Gloomy," and the directionless, awkward jamming that concludes "Walking on the Water."
ANOTHER SPLASH OF COLOUR is the first compilation to document the Psychedelic Revival which hit the British music scene in the first half of the Eighties. This 3-CD set expands upon an original V/A LP, A Splash Of Colour, issued by WEA at the start of 1982 and including many of the Nu Psych scene’s major players: Mood Six, High Tide, Miles Over Matter, The Barracudas and The Times. All the musical tracks from this landmark album now appear on CD for the very first time!