Pure Dsd Recordings

A variety of artists, ensembles and orchestras offer music from JS Bach (Cello Suite), via Franz Schubert (String Quartet) and Nicolò Paganini to Gustav Mahler (Symphony). Altogether, as the album’s title implies: Must Have Classic Recordings. This is pure DSD recording. As no editing has been made, all the tracks on this record are heard as they were performed.

This compliation featuring some of jazz's most well-known names. Vickie Leigh, Sekou Bunch, Kate Mc Garry, David Garfield, Karen Knowles, and others, performed the songs of Cole Porter, John Coltrane, Billy Strayhorn, and some of their own material. This is pure analogue recording. The heart and soul of any recorded sound must surely be the acoustical properties of the room or hall itself, and the microphones being used within that acoustic.

Adam Agee and Jon Sousa are two of Colorado’s most sought-after traditional Irish musicians. Since 2004, they have been journeying together through the Irish idiom on fiddle, guitar, and tenor banjo, enchanting listeners on both sides of the Atlantic Ocean. Adam and Jon have put down musical roots in County Clare, where they lived together, and now make frequent visits. Their connection to their instruments and the transcendent energy in their music is guaranteed to captivate and uplift audiences of all ages.

"Close Your Eyes" is a sort of “Best Of” album, comprising tracks taken from different recordings that made by Jenna Mammina going back about ten years. Mostly these are recorded to 2" analog tape, although a couple were recorded directly to DSD. For "Close Your Eyes" the original tapes were remastered to DSD256 using the very latest Pyramix equipment. The results are quite astonishing. Most tracks comprise Jenna on vocals, backed by Bass, Drums, Keyboards, and assorted other instruments including Guitar, Soprano Sax, and Accordion.

From the moment Arthur Fiedler lifted his baton in 1964 to lead the Boston Pops in a wild, surprisingly effective arrangement of "I Want To Hold Your Hand," symphony orchestras have tried to include Beatles music in their "pops" song bags. The trouble is, the Beatles' brilliant original recordings are so indelibly embedded in our collective mental hard drives that they are a tough act to follow – despite the high quality of the songs on their own merits, despite the good intentions of those who pay them homage. So it is with Erich Kunzel, the Cincinnati Pops and the British early music/classical/pop vocal sextet The King's Singers – an undoubtedly sincere labor that gets it all wrong. From this album, a visitor from Saturn would get the idea that the Beatles' music was all about pretty tunes and satin-smooth harmonies.

Jean-Marc Luisada is a French pianist born in Bizerte, Tunisia. He started on the piano at six years old. He signed an exclusive agreement with RCA Red Seal in 1998. Among his recordings are the waltzes and mazurkas of Frédéric François Chopin. This album have been recorded in Japan at Salamanca Hall. It marked as Pure DSD Recording.

Gene Bertoncini is one of the pre-eminent jazz guitarists active today. His fluid technique have won him international praise and such accolades as the "Segovia of jazz". An eloquent and versatile improviser, has been heard with an extraordinary range of jazz greats, including performances and recordings with Benny Goodman, Buddy Rich, Wayne Shorter, Hubert Laws and Paul Desmond, among others, as well as with such distinguished vocalists as Tony Bennett, Carmen McRae and Lena Horne, Vic Damone and Edye Gorme. "Body and Soul" is Bertoncini's first unaccompanied solo recording and his first recording for Ambient Records. This album represents the Jazz guitarist at his acoustic best. Pure DSD Recording.

A native of Boulder, Colorado Janet Feder is most widely known for pioneering composition for prepared guitar. She has been featured on numerous recordings, radio programs, and film scores. Deeply layered, textured and intimate, "Songs With Words", features Janet Feder's prepared guitar compositions accompanying her voice.

Among the many instrumental pieces that remained incomplete at Mozart's death there were four particularly beautiful fragments for violin and piano. Timothy Jones has made multiple new completions of these fragments based on Mozart's evolving style during the 1780s, exploring the open-endedness of the fragments and the different directions the music might have taken. Rachel Podger and Christopher Glynn present the world premiere recordings, which include two completions of each Sonata fragment, enabling listeners to take alternative journeys through Mozart's material.