This 2008 instrumental CD is one of the best British progressive rock albums in recent memory, pure classic prog, close to Genesis (or Steve Hackett solo) and Camel. Yak are a keys/bass/drums trio, but their sound is bigger than that – after hearing this, you will swear that there is a guitarist in the band, one who has the expressive Hackett/Latimer lead style nailed! In fact, keyboardist Martin Morgan is playing the guitar parts from a keyboard, the best emulation of that sustained electric guitar style we’ve ever heard. Of course a guitarist or two will be required live, as the guitar and keyboard sounds are layered. Just when you’ve despaired of ever hearing a British prog band create the real thing again, you are rescued by a Yak. Sounds like Dave Greenslade jamming with Genesis.
Dedicated fans of Sarah McLachlan had a lot to buy in 2008, when the Canadian songwriter issued three retrospective albums. Rarities, B-Sides & Other Stuff, Vol. 2 led the pack in April, followed by a deluxe edition of Fumbling Toward Ecstasy several months later. Closer: The Best of Sarah McLachlan brought up the rear, arriving in October and compiling McLachlan's greatest hits along with two new songs. "Don't Give Up on Us" and "U Want Me 2" are standard McLachlan tunes, mixing adult contemporary songcraft with the soothing, evergreen vocals that helped her rise to prominence.
Boy, whoever thought that technical metal was dead as a doornail during the mid- to late '90s has been proven dead wrong. Just a few years after this aforementioned era of "metal no man's land," technical metal has spread like a virus, via bands that share both an appreciation of the extreme aggression of Slayer and the technical proficiency of Iron Maiden. A fitting example of both of these metallic styles colliding as one is Finland's Children of Bodom, and especially their 2008 offering, Blooddrunk. All the ingredients from past Bodom releases are present once more - Goth keyboards, guitar acrobatics, and vocals that sound straight out of the torture chamber. These lads sure can play their instruments, as evidenced by such intense metal blasts as the title track, "Smile Pretty for the Devil," and "Tie My Rope"…
This budget-priced two-for-one collection presents a pair of mid-1970s albums by Floridian singer-songwriter Lobo (born Roland Kent Lavoie): JUST A SINGER (’74) and A COWBOY AFRAID OF HORSES (’75). Highlights of the set include the breezy light-rock tunes “Rings” and “Don’t Tell Me Goodnight,” songs that embody Lobo’s sunny, laid-back sound.