Born Caroline Catharina Müller in the Netherlands, she moved with her family to Germany in the late '70s. In 1980, she became a member of the girl quartet Optimal, who issued two singles…
Since Van Dyke Parks has never released a greatest hits album (okay, he's never had any hits) in the U.S., this long-overdue concert album, which draws on material from his studio recordings dating back to 1968's Song Cycle, is a welcome sampler of his stunning, if small, body of work from "The All Golden" (Song Cycle) to "Orange Crate Art" (the title track from his duet album with Brian Wilson).
Born Caroline Catharina Müller in the Netherlands, she moved with her family to Germany in the late '70s. In 1980, she became a member of the girl quartet Optimal, who issued two singles. During one of the band's concerts in Hamburg, she was approached by songwriter/producer Dieter Bohlen who had just taken the continental charts by storm with his duo Modern Talking…
It does not take very long to realize that this is a nicely put together record. The singing is intense in somewhat of a Springsteen/David Eugene Edwards (Woven Hand) manner, but unique from them. The surrounding instrumentation weaves in and out in a folk rock manner at times and works as a full throttle rock band at others. The Singer-Songwriter category does not quite do justice to the songs. I would say rock fans will like this more than people wanting straight folk, but it has a good general appeal to both the crowds seeking lighter thoughtful material and those that want a good rock beat. The music is rather universal and what is truly interesting is that the California duo behind this band has historically done so much better in Europe than in the US. While I often can understand why some great European born music may not translate as well in the US (and vice versa), I have never understood why several great US bands (Wipers, 16 Horsepower) do so much better in Europe. Add this band to that list, as US listeners need to join in. I believe this album of eleven original songs comes with a bonus CD containing a full live set. (David Hintz)
Respectfully known as the "king of light music,"Eric Coates was one of England's greatest composers. A prolific writer, Coates wrote pieces for orchestras, chamber groups, and solo pianists. In addition to penning more than 160 ballads, he composed numerous instrumental settings for the poetry of William Shakespeare and other British poets. His many radio themes included the theme of the popular BBC radio show Calling All Workers, which aired four times a day, five days a week. Coates made his orchestral debut in 1911 when his composition "Miniature Suite" was performed by the Queen's Hall Light Orchestra under the direction of Sir Henry Wood. Coates played viola with the orchestra during the premiere. Although he wrote his most enduring tune, "Stonecracker John," in 1909, Coates enjoyed a revival of his popularity in the late '20s when his songs "Birdsongs at Eventide" and "Homeward to You" became major hits. He remained active until shortly before his death in 1957, composing "The Dam Busters March" and "High Flight" for popular early-'50s films.