Rita Chiarelli is one of the most exciting new singers in Canada. Her unique blend of rock and blues has been compared favorably to Bonnie Raitt, Melissa Etheridge, and Susan Tedeschi. In 2000, she was named the "top blues singer" at Canada's Maple Leaf Awards. The world's discovery of Chiarelli comes after years of her paying dues. Singing with Hamilton, Ontario-based group Tempest at the age of 15, she toured throughout North America with a nine-piece R&B band, Battleaxe, after graduating from high school. Chiarelli continued to sharpen her chops as a member of Toronto-based rockabilly pioneer Ronnie Hawkins' group.
Maria Pia De Vito is an Italian jazz singer, composer, and arranger. A native of Naples, Italy, she studied classical music, opera, and Italian folk music. In 1976 she performed folk songs as a singer, guitarist, and pianist. In 1980 she sang with jazz musicians such as Art Ensemble of Chicago, Michael Brecker, Uri Caine, Peter Erskine, Paolo Fresu, Billy Hart, Maria Joao, Nguyên Lê, Dave Liebman, Bruno Tommaso, Gianluigi Trovesi, Steve Turre, Miroslav Vitous, and Joe Zawinul. In the 1980s she worked with Toots Thielemans and Mike Stern. She collaborated with Rita Marcotulli in the 1990s on the albums Nauplia and Fore Paese. She has often worked with the British composer Colin Towns and with pianist John Taylor.
For her latest project, the young Catalan trombonist and singer Rita Payés joins forces with her mother Elisabeth Roma who is also an exceptional classical guitarist. Mother and daughter will be launching their debut album during the London Catalan Festival, giving their personal take on the music that has accompanied them all their lives, from traditional Catalan lullabies to bossa nova, fado, boleros… For this particular performance, the duo will be joined on stage by bassist Magali Datzira (Sant Andreu Jazz Band) and percussionist Juan Berbín. This family project started when Rita booked a two-day studio session for Elisabeth as a birthday present in June 2018. Rehearsing and preparing for that session, they re-evaluated and strengthened their repertoire and arrangements. It was then when they decided to take the project further and release it as their debut album.
The No Comprendo (Long title: Les Rita Mitsouko Présentent The No Comprendo) is the second studio album by French pop rock group Les Rita Mitsouko. It was released in 1986 and includes the singles "Andy", "C'est Comme Ça" and "Les Histoires d’A.". The album was recorded with veteran producer Tony Visconti at Studio Good Earth, London, Studio Rita Mitsouko, Paris and mixed at Studio Good Earth. Receiving positive reviews the album was originally released as an LP, Cassette and CD in September 1986. CD editions include a bonus track. The artwork was designed by Yves Méry with photography by Brett Walker. The album was the first of two albums by the duo that Les Rita Mitsouko produced on collaboration with Tony Visconti. Together with Visconti the trio shared production and musician roles regularly swapping and sharing duties across a variety of instruments.
After a six-year gap between albums – during which time she was involved in a drawn-out legal back-and-forth with her former label – English-Albanian singer Rita Ora finally issued her sophomore effort, the aptly titled Phoenix. Despite the behind-the-scenes drama that threatened to derail her burgeoning career, Ora maintained public presence with a series of well-performing singles, many of which are included here. Much like contemporary releases from Jess Glynne and Dua Lipa, the strength of Ora's effortless, R&B-inspired vocals carries Phoenix, despite varying musical styles and recording periods, which stretched over two years from 2016 to 2018.
Heinrich Baermann is quite well known today as Carl Maria von Weber’s source of inspiration. The famous virtuoso, for whom Weber personally created his clarinet concertos, repeatedly took up the pen on his own – and did so with great success. Several dozen works by Baermann have been transmitted to MDG and on this recording Rita Karin Meier and the Belenus Quartet turn to his three quintets for clarinet and strings and with them bring back to life his much acclaimed cantabile playing as well as his legendary virtuosic capabilities.