Queen Queen

The Cosmos Rocks is the only studio album by Queen + Paul Rodgers, released on 15 September 2008. It contains 14 new tracks written by Brian May, Roger Taylor, and Paul Rodgers. This is the first studio album of new material from the two remaining members of Queen since 1995′s Made in Heaven. The album's release came 17 years after the death in 1991 of former Queen singer Freddie Mercury. "It had some great stuff on it," Taylor recalled. "I just think that Paul's more blues and soul – one of our favourite singers, ever, but, when it boils down to it, he wasn't the perfect frontman for us. I felt the album was badly promoted by EMI, who were falling to bits at the time. We were on tour in Europe, and I went into record stores and we weren't in them. And I remember being furious, thinking, 'Why did we make this fucking record?'"

Essentially, this 17-track album is a second-volume Queen's Greatest Hits, picking up the story from that album's 1981 release and taking it to the end of Queen's career. But the album also contains a few tracks - "Bohemian Rhapsody," "Keep Yourself Alive," and "Under Pressure" - that appeared on that first set, as well as a couple - "Stone Cold Crazy" and "Tie Your Mother Down" - from the same era. The remaining 12 tracks, culled from The Works, A Kind of Magic, The Miracle, and Innuendo, represent songs that were not big hits in the U.S. Nevertheless, with a resurgence of interest in Queen and the second coming of "Bohemian Rhapsody," courtesy of Wayne's World, this album returned Queen to platinum status and the U.S. Top Five for the first time since the early '80s.

Essentially, the 2007 release Queen Rock Montreal is the long-delayed official release of the soundtrack to the We Will Rock You concert video, capturing highlights from the group's two-night stand at the Montreal Forum on November 24 and 25, 1981. This double-disc contains the full set, including the previously unreleased "Flash" and "The Hero," and it benefits from the ebb and flow of a full concert, giving a broader, fuller sense of Queen at the peak of their power, which they were close to being at the time this was recorded…

Sold upon its November 2014 release as a compilation containing some unearthed, even "forgotten," material, Queen Forever doesn't contain much new in either its standard or deluxe versions. Just three songs, actually: a finished version of the Works outtake "Let Me in Your Heart Again," a reworked version of Freddie Mercury's solo "Love Kills" from the soundtrack to Giorgio Moroder's Metropolis, and a completed version of "There Must Be More to Life Than This," a Freddie duet with Michael Jackson from the early '80s…

Like any patchy but promising debut from a classic rock group, it's often easy to underrate Queen's eponymous 1973 debut, since it has no more than one well-known anthem and plays more like a collection of ideas than a cohesive album. But what ideas! Almost every one of Queen's signatures are already present, from Freddie Mercury's operatic harmonies to Brian May's rich, orchestral guitar overdubs and the suite-like structures of "Great King Rat." That rich, florid feel could be characterized as glam, but even in these early days that appellation didn't quite fit Queen, since they were at once too heavy and arty to be glam and – ironically enough, considering their legendary excess – they were hardly trashy enough to be glam.

A Night at the Odeon – Hammersmith 1975 is an upcoming live album by English rock band Queen. The album is the first official release of the band's Christmas Eve performance at the Hammersmith Odeon in 1975…

In one regard, Queen II does indeed provide more of the same thing as on the band's debut. Certainly, of all the other albums in Queen's catalog it bears the closest resemblance to its immediate predecessor, particularly in its lean, hard attack and in how it has only one song that is well-known to listeners outside of their hardcore cult: in this case, it's "Seven Seas of Rhye," which is itself more elliptical than "Keep Yourself Alive," the big song from the debut…

Like any patchy but promising debut from a classic rock group, it's often easy to underrate Queen's eponymous 1973 debut, since it has no more than one well-known anthem and plays more like a collection of ideas than a cohesive album…

n one regard, Queen II does indeed provide more of the same thing as on the band's debut. Certainly, of all the other albums in Queen's catalog it bears the closest resemblance to its immediate predecessor, particularly in its lean, hard attack and in how it has only one song that is well-known to listeners outside of their hardcore cult: in this case, it's "Seven Seas of Rhye," which is itself more elliptical than "Keep Yourself Alive," the big song from the debut…

The Singles Collection, Volume 3 is a limited edition CD series compilation box set by the English rock band Queen, the third of four sets. The box set contains remastered versions of the next thirteen top-40 charting singles released by Queen that appear subsequent to those in Queen: The Singles Collection Volume 2. The set marks the first time that Blurred Vision and the single mix of Pain Is So Close To Pleasure have been made available on CD.